아리랑소리의 생성문화 유형과 변동 = Classification of ‘Arirang Sori’ Based on the Characteristics of Culture of its Formation

다국어 초록 (Multilingual Abstract)

There are many different kinds of ‘arirang’ in the repertoires of Korea folk song and these ‘arirang’ songs share some similarity. For example, most of them are written in verse form and words such as ‘arirang’, ‘arari’ and ‘araseong’ are being frequently used among many of their lyric－I will apply new term ‘Arirang-sori’ to refer these songs throughout the paper.
Contrary to the fact that there are such variety of ‘arirang’ songs, I have found out that these songs in fact are formated (or newly/re-produced) under several kinds of particular culture. Many of these specific cultures also went through dynamic changes which brought additional changes in the ‘Arirang-songs’ during certain period of time. Until now, there was almost no research conducted on this particular subject despite of its significant importance, therefore I would like to focus on these issues in the paper. I will specifically research about three major types of formation and fluctuation of ‘Arirang-sori’ and its related cultural background in this paper.
First type is a folk group－or folk culture where people worked collectively. They sang song while working together, such as planting and pounding rice, floating a raft down a river and cutting grass in the field. Various ‘arirang’ songs were sung, including ‘Gin-arari’ and ‘Jajin-arari’ in Ganwon-province. I would say that this two ‘Arirang-sori’ of Gangwon-province were the very first ‘arirang’ songs that were circulated among other regions of Korean peninsula, resulting the formation of such various versions of ‘Arirang-sori,’ which are closely bordered on Gangwon province are Gyeonggi-province, east of Chungcheong-province, northen part of Gyeongsang-province and the area around. ‘Arari’ of Gangwon-province came to be called ‘Arirang.’ ‘Jeongseon-arirang’ was derived from ‘Gin-arari’ and later ‘Hanobaengnyeon’ with different refrain.
Second type of ‘Arirang-sori’ was formated under specific historical event during Joseon Dynasty. There was a shifting of one particular music culture to other onee. When the new royal palace was constructed by Prince Regent Daewongoon in Seoul, there were many labors who were called out from Gangwon-province. While these conscripted people were working together, they sang ‘Gin-arari’, one of their regional ‘arirang’ song. This song, then, transmitted to the labors with Seoul origins who were also working closely together with them and was changed into ‘Gyeonggi Gin-arirang’ of present time. Compared to its original song, the newly derived (and/or formated) ‘Gyeonggi Gin-arirang’ uses ‘gyeong-tori’ which is a musical mode origin of Seoul and Gyeonggi region. This was the very first moment when the folk music culture of particular region was shifted to a popular culture. Once ‘Gyeonggi Gin-arirang’ won popularity, many singers variated it to ‘Jajin-arirang(Gujo-arirang).’ Later ‘Arong-taryeong(Haeju- arirang)’ and ‘Namdo-arirang’ were created. ‘Arong-taryeong’ was made from ‘Milyang-arirang’ and ‘Jindo-arirang’ from ‘Namdo-arirang’.
The third type is ‘Bonjo-arirang.’ Under the rule of Japanese imperialism, ‘Bonjo-arirang’ arranged from ‘Gyeonggi jajin arirang’ was used in a film which Korean film maker Woon-gyu Na produced with the anti-Japanese sentiment. This is what simply called nowadays as ‘Arirang’ which is known to world-wide as a song representing Korea. After the newest song ‘Bonjo-arirang’ won great popularity among the public, people from different regions tried to create their own ‘arirang’ songs with the use of name of each of their region and/or city. This brought the birth of various ‘Arirang-sori’, such as ‘Onseong-arirang’ and ‘Seongcheon-arirang.’ But these ‘Arirang-sori’ were only sung among the people who share the same folk tradition, therefore only survived specific regiona...

참고문헌 (Reference)

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