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    퍼스의 3가지 유형에 의한 건축적 이미지를 지닌 동시대 조각의 표현방식 연구 = A Study on the Expression Method of Contemporary Sculpture with Architectural Image by The 3 Types of Peirce

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    https://www.riss.kr/link?id=A107976096

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The contemporary sculpture by borrowing images reveals semiotic characteristics by using icons, indicators, and symbols extensively in the text it produces. As a result, the work appeared in a hybrid way of expression, making multiple interpretations come true. However, a new method is required to interpret the sculptures expressed in various signs. In particular, the contemporary sculpture works that borrowed architectural images mostly reflect the uncertain and fluid contemporary period, and therefore this study was aimed to analyze how the works act as signs and generate meanings by applying the 3 types of Perth at that time. As a research method, In order to study Perth's semiotics, this research drew the thesis on Perth's semiotics by understanding the general concept of semiotics and comparatively analyzing Saussure's semiotics.
    Also, we looked at how semiotics including Perth's semiotics were applied to the modern art. In Chapter 3, in order to consider the expression methods of contemporary sculptures that borrowed architectural images, we classified and analyzed them according to the ‘3 types’ of Perth. Through this, this paper concluded as follows. First, semiotics was initially discussed in earnest by structuralist philosophers, starting with Saussure's linguistics after the 19th century, and afterwards, as the postmodern art appeared, ‘borrowing’ and ‘intertextuality’ were mixed, creating an opportunity to further expand the meaning of the work. Second, Peirce's semiotics, which is easy to explain about non-arbitrary relationships and distinguishes various types of signs in the visual field, provided a basis for classifying the expression methods of contemporary sculptural works. Third, it was easy to decipher the individual codes for each work by classifying the expression method of the sample artist's architectural image sculptures into the 3 types of Perth. It was confirmed that each type represents the uncertain and fluid contemporary times metaphorically according to the method of expressing the materiality and structure of the works revealed in the sculptures of the representative artist for each type.
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    The contemporary sculpture by borrowing images reveals semiotic characteristics by using icons, indicators, and symbols extensively in the text it produces. As a result, the work appeared in a hybrid way of expression, making multiple interpretations ...

    The contemporary sculpture by borrowing images reveals semiotic characteristics by using icons, indicators, and symbols extensively in the text it produces. As a result, the work appeared in a hybrid way of expression, making multiple interpretations come true. However, a new method is required to interpret the sculptures expressed in various signs. In particular, the contemporary sculpture works that borrowed architectural images mostly reflect the uncertain and fluid contemporary period, and therefore this study was aimed to analyze how the works act as signs and generate meanings by applying the 3 types of Perth at that time. As a research method, In order to study Perth's semiotics, this research drew the thesis on Perth's semiotics by understanding the general concept of semiotics and comparatively analyzing Saussure's semiotics.
    Also, we looked at how semiotics including Perth's semiotics were applied to the modern art. In Chapter 3, in order to consider the expression methods of contemporary sculptures that borrowed architectural images, we classified and analyzed them according to the ‘3 types’ of Perth. Through this, this paper concluded as follows. First, semiotics was initially discussed in earnest by structuralist philosophers, starting with Saussure's linguistics after the 19th century, and afterwards, as the postmodern art appeared, ‘borrowing’ and ‘intertextuality’ were mixed, creating an opportunity to further expand the meaning of the work. Second, Peirce's semiotics, which is easy to explain about non-arbitrary relationships and distinguishes various types of signs in the visual field, provided a basis for classifying the expression methods of contemporary sculptural works. Third, it was easy to decipher the individual codes for each work by classifying the expression method of the sample artist's architectural image sculptures into the 3 types of Perth. It was confirmed that each type represents the uncertain and fluid contemporary times metaphorically according to the method of expressing the materiality and structure of the works revealed in the sculptures of the representative artist for each type.

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    참고문헌 (Reference)

    1 Ahn, E. H., "건축의 욕망, 환상, 그리고 징후" 2009

    2 "https://www.re-thinkingthefuture.com/designing-for-typologies/a2623-judenplatz-holocaust-me morial-by-rachel-whiteread-a-plethora-of-signs/"

    3 "https://www.nytimes.com/2018/09/07/business/dealbook/campbell-soup-third-point-loeb.html"

    4 "https://www.lehmannmaupin.com/artists/do-ho-suh"

    5 "https://www.iconeye.com/icon-057-march-2008/ai-weiwei-2"

    6 "https://www.crfashionbook.com/culture/a31961365/rachel-whiteread-contemporary-artist-intervi ew-house/"

    7 "https://www.behance.net/DavidUmemoto"

    8 "https://www.artsy.net/artwork/rachel-whiteread-unit"

    9 "https://ocula.com/artists/frank-poor/artworks/"

    10 "https://magazine.artland.com/art-movement-pop-art/"

    1 Ahn, E. H., "건축의 욕망, 환상, 그리고 징후" 2009

    2 "https://www.re-thinkingthefuture.com/designing-for-typologies/a2623-judenplatz-holocaust-me morial-by-rachel-whiteread-a-plethora-of-signs/"

    3 "https://www.nytimes.com/2018/09/07/business/dealbook/campbell-soup-third-point-loeb.html"

    4 "https://www.lehmannmaupin.com/artists/do-ho-suh"

    5 "https://www.iconeye.com/icon-057-march-2008/ai-weiwei-2"

    6 "https://www.crfashionbook.com/culture/a31961365/rachel-whiteread-contemporary-artist-intervi ew-house/"

    7 "https://www.behance.net/DavidUmemoto"

    8 "https://www.artsy.net/artwork/rachel-whiteread-unit"

    9 "https://ocula.com/artists/frank-poor/artworks/"

    10 "https://magazine.artland.com/art-movement-pop-art/"

    11 "https://artdependence.com/articles/daniel-arsham-to-release-brillo-box-edition-in-collaboration-with-the-andy-warhol-museum/"

    12 Kim, G. Y., "What is Semiotics" Minumsa 1994

    13 Emerling, J., "Theory for Art History" Mijinsa 2018

    14 Robertson, J., "Themes of contemporary art: visual art after 1980" Doosungbooks 2011

    15 Ress, A., "The New Art History" Sigongsa 1998

    16 Jo, C. Y., "Semiotics and Aesthetics" CommunicationBooks 2016

    17 The Philosophy Academy Association, "Philosophy, to Read Art" Dongnyok 2006

    18 Kang, M. J., "Peirce's Semiotics and Art History: For the Philosophy of New Art History" Ehaksa 2010

    19 "Kalb, P"

    20 Wilson, M., "How to Read Contemporary Art Experiencing the art of the 21st century" Maroniebooks 2017

    21 Kim, B. Y., "Dialogues between Contemporary Architecture and Semiology" 2000

    22 Chun, Y. P., "Conceptual Shock via Communication of Intimacy and Isolation: Antony" 2009

    23 Gormley, "Association of Western Art History Vol.30" 1229

    24 Kalb, P., "Art Since 1980 : Charting the Contemporary" Mijinsa 2020

    25 Hatt, M., "Art History : a Critical Introduction to its Methods" Semicolon 2012

    26 Sarup, M., "An Introductory Guide to Post-Structuralism and Postmodernism" Seoulhouse 2005

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-02-09 학술지명변경 외국어명 : Bulletin of Korean Society of Basic Design & Art -> Journal of Basic Design & Art KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2006-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2003-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.33 0.33 0.34
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.34 0.34 0.512 0.08
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