텔레비전 다큐멘터리 프로그램의 생산과정에 대한 민속지학적 연구 KBS〈인물현대사〉의 인물선정과정을 중심으로

국문 초록 (Abstract)

이 연구는 매체생산과정에 개입하는 힘들과 그 힘들 사이의 상호작용을 밝혀보고자 KBS〈인물현대사〉의 생산과정에 대한 민속지학적 연구를 행하였다. 연구결과,〈인물현대사〉의 인물선정은 프로그램 기획의도의 느슨한 한계하에 PD가 자신의 성향체계를 바탕으로 부장, 차장, 구성작가, 자문위원 등과의 상호작용과 프로그램에 비판적인 내·외부의 시선, 시청자의 흥미 및 이해, 영상자료의 확보가능성, 제작기간, 방영시기 등을 고려해 결정하는 과정이었다. 물론, 이러한 모든 요소들이 인물을 선정할 때마다 항상 균등하게 작동하는 것은 아니었다. 이 연구의 결과는 매체생산을 단순히 지배집단이나 정치권력의 이해를 반영하는 과정으로 인식하거나 매체생산자들을 단순히 주어진 구조에 순응하여 수동적으로 프로그램을 생산하는 존재로 보는 시각에 의문을 제기한다. 또한 매체생산 국면의 상대적 자율성과 독특성, 그리고 매체생산과정의 복합성에 대한 지속적 연구의 필요성을 제기한다.

다국어 초록 (Multilingual Abstract)

This study aims to reveal the forces that influence the process of media production and the interrelations between them. It appropriates, as the theoretical and methodological sources, the insights provided by recent researches on media production that problematize the existing presuppositions of cultural studies: (1) media production is a complex and contradict process; (2) a media producer is a social agent; (3) participant observation is a necessary method for the study of media production. With these purposes and perspectives, this study conducts participation observations on the production process of〈Reading Korean Modern History Through People〉and deep interviews with its producers. As the results, selecting people broadcasted on the program is primarily determined by a producer circumscribed by some conditions: (1) within loose limitation of the program format; (2) through interacting with the executive producer and the vice-executive producer, the scripter, and the members of the counseling committee of the program; (3) under considering the critical views of the program from inside and outside the broadcasting company, the degree of interest and understanding of the viewers, the possibility of securing visual data, the limited time for production and the social and cultural context of the broadcasting period of a individual program. However, each factor neither intervenes in every individual program or works in a same way all the time. The number, kind, and powerfulness of the intervening forces are distinct according to an individual program. The program format and the disposition of a producer play a role as a kind of constants in the process of selecting people for the program, but not as absolute constants. And in some cases one force execute absolute power over the process and significantly repress the working of the other forces, in other cases some forces influence the process in the way to strengthen the influence with one another. In sum, the results of this study question the perspective to regard media production as a process of merely reflecting the interest of dominant group or political power and to understand television producers as the passive subordinate to social and institutional structure and then only the conduit for delivering dominant ideology. This study proposes the necessity of researches closely examining the relative autonomy and specificity of the moment of media production and the complexity of the process of media production.

목차 (Table of Contents)

• 국문초록
  
• 1. 문제제기 및 연구목적
  
• 2. 이론적 논의
  
• 3. 연구방법
  
• 4. 연구결과 :〈인물현대사〉의 인물선정과정에 영향을 끼치는 문화와 권력
  
• 5. 요약 및 결론
  
• 참고문헌
  
• ABSTRACT

참고문헌 (Reference)

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2 전규찬, "텔레비전 오락에 관한 '새로운' 담화 정치학 연구" 한국방송학회 16 (16): 304-325, 2002

3 양정혜, "뮤직비디오 제작의 관행이 텍스트 구성에 미치는 영향 : 제작진들과의 인터뷰를 중심으로" 한국방송학회 18 (18): 134-168, 2004

4 원용진, "문화연구의 미디어 논의 반성과 전망" 185 (14-3) : 2000

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24 Tuchman, "A study in the construction of reality" The Tree Press 1978