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      일본 국립디자인박물관 설립을 둘러싼 동향과 논점 ― 새로운 역사서술 방식과 ‘국립’의 사이 ― = Designing a Design Museum: Issues on the Establishment of the National Design Museum of Japan

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      https://www.riss.kr/link?id=A109241987

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      Issei Miyake, one of Japan's prominent fashion designers, first introduced the idea for the establishment of a national design museum in a column published in a January 2003 edition of the Asahi Shimbun. This marked the beginning of a concerted effort to create a design museum in Japan, which has since been organized and sustained for almost 20 years.
      This article reflects on the national design museum movement, outlines its features and accomplishments, and analyzes the factors hindering its establishment. Ongoing discussions surrounding the National Design Museum and progress evaluations of narrative work on Japanese design history are also discussed here.
      Following the inauguration of the 21_21 Design Site in 2007 and the Association for the Establishment of a National Design Museum, “Design-DESIGN MUSEUM” was formally established in 2019 as a general corporation. “Design-DESIGN MUSEUM” was named through previous initiatives including the active leveraging of the NHK TV program to capture the attention of the Japanese public and solicit their feedback. Through local research, creators unearthed Japanese designs across diverse fields. These designs are showcased in exhibitions and broadcasted through the DESIGN MUSEUM JAPAN project.
      The Japanese design identified in the DESIGN MUSEUM JAPAN project is remarkable in that it deviates from conventional design histories that prioritize products and its significant focus on traditional, local, and everyday values. This approach can be interpreted as an innovative historical narrative that diverges from Western-centric modernity, and aligns with the principles of the Mingei movement initiated by Yanagi Muneyoshi.
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      Issei Miyake, one of Japan's prominent fashion designers, first introduced the idea for the establishment of a national design museum in a column published in a January 2003 edition of the Asahi Shimbun. This marked the beginning of a concerted effort...

      Issei Miyake, one of Japan's prominent fashion designers, first introduced the idea for the establishment of a national design museum in a column published in a January 2003 edition of the Asahi Shimbun. This marked the beginning of a concerted effort to create a design museum in Japan, which has since been organized and sustained for almost 20 years.
      This article reflects on the national design museum movement, outlines its features and accomplishments, and analyzes the factors hindering its establishment. Ongoing discussions surrounding the National Design Museum and progress evaluations of narrative work on Japanese design history are also discussed here.
      Following the inauguration of the 21_21 Design Site in 2007 and the Association for the Establishment of a National Design Museum, “Design-DESIGN MUSEUM” was formally established in 2019 as a general corporation. “Design-DESIGN MUSEUM” was named through previous initiatives including the active leveraging of the NHK TV program to capture the attention of the Japanese public and solicit their feedback. Through local research, creators unearthed Japanese designs across diverse fields. These designs are showcased in exhibitions and broadcasted through the DESIGN MUSEUM JAPAN project.
      The Japanese design identified in the DESIGN MUSEUM JAPAN project is remarkable in that it deviates from conventional design histories that prioritize products and its significant focus on traditional, local, and everyday values. This approach can be interpreted as an innovative historical narrative that diverges from Western-centric modernity, and aligns with the principles of the Mingei movement initiated by Yanagi Muneyoshi.

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      참고문헌 (Reference)

      1 도미타 야스코, "코로나19 시대의 박물관과 디자인" 한국디자인사학회 (5) : 18-31, 2022

      2 노유니아, "일본 디자인계에 나타난 ‘신 민예운동’ –무인양품(MUJI)과 디앤디파트먼트를 중심으로–" 동국대학교 일본학연구소 (56) : 133-157, 2022

      3 국립현대미술관, "일본 국공립 미술관 제도 연구 일본 독립행정법인 미술관 실태조사 보고서" 국립현대미술관 3-7, 2008

      4 디페시 차크라바르티, "유럽을 지방화하기" 그린비 43-120, 2014

      5 박소현, "신박물관학 이후, 박물관과 사회의 관계론" 현대미술사학회 29 : 211-237, 2011

      6 노유니아, "서구를 향한 일본미술 선전 : 독자성과 오리엔탈리즘" 서울대학교일본연구소 (20) : 100-121, 2019

      7 김연희, "문화 유산의 재활용 ‘신박물관학(New Museology)’: ‘박물관 프랜차이즈’ 프로젝트" 659-681, 2015

      8 김상규, "디자인 뮤지엄의 쟁점에 관한 연구" 인제대학교 디자인연구소 16 (16): 57-66, 2017

      9 "青空文庫"

      10 "造ろうデザインミュージアム"

      1 도미타 야스코, "코로나19 시대의 박물관과 디자인" 한국디자인사학회 (5) : 18-31, 2022

      2 노유니아, "일본 디자인계에 나타난 ‘신 민예운동’ –무인양품(MUJI)과 디앤디파트먼트를 중심으로–" 동국대학교 일본학연구소 (56) : 133-157, 2022

      3 국립현대미술관, "일본 국공립 미술관 제도 연구 일본 독립행정법인 미술관 실태조사 보고서" 국립현대미술관 3-7, 2008

      4 디페시 차크라바르티, "유럽을 지방화하기" 그린비 43-120, 2014

      5 박소현, "신박물관학 이후, 박물관과 사회의 관계론" 현대미술사학회 29 : 211-237, 2011

      6 노유니아, "서구를 향한 일본미술 선전 : 독자성과 오리엔탈리즘" 서울대학교일본연구소 (20) : 100-121, 2019

      7 김연희, "문화 유산의 재활용 ‘신박물관학(New Museology)’: ‘박물관 프랜차이즈’ 프로젝트" 659-681, 2015

      8 김상규, "디자인 뮤지엄의 쟁점에 관한 연구" 인제대학교 디자인연구소 16 (16): 57-66, 2017

      9 "青空文庫"

      10 "造ろうデザインミュージアム"

      11 Design–Design Museum, "趣意書"

      12 東京国立近代美術館, "民藝の一〇〇年" 東京国立近代美術館 2021

      13 "東京デザイン・ミュージアム構想"

      14 21_21デザインサイト, "日本のデザインミュージアム実現にむけて展"

      15 経済産業省, "日本のデザインを語るデザインミュージアムの在り方を考えるカンファレンス"

      16 "日本にデザインミュージアムは必要?日本でデザインに携わるプロフェッショナル100人の声" AXIS INCORPORATED 205 : 38-42, 2020

      17 文化庁, "文化関係資料のアーカイブに関する有識者会議 中間とりまとめ"

      18 暮沢剛巳, "世界のデザインミュージアム" 大和書房 2014

      19 暮沢剛巳, "ミュージアムの教科書 深化する博物館と美術館" 青弓社 2022

      20 Design Museum Japan, "プロジェクトについて"

      21 宮島久雄, "デザイン博物館の必要性–‘近代デザイン展望’展をみて" 丸善 37 (37): 52-55, 1969

      22 伊奈史朗, "デザインミュージアム明日への軌跡 : JIDAデザインミュージアム1号館開設10周年記念誌"

      23 NHK日本放送協会, "デザインミュージアムをデザインする"

      24 "デザインミュージアムをめぐる20年" AXIS INCORPORATED 205 : 2020

      25 村野啓一郎, "デザインミュージアムへの道–Gマーク・デザインコレクションの意味と理念" 日本産業デザイン振興会 233 : 28-33, 1996

      26 角山朋子, "デザインミュージアムのビジョン" 20 : 77-79, 2023

      27 経済産業省製造産業局 デザイン政策チーム, "デザインはブランド確立への近道―デザイン政策ルネッサンスー 競争力強化に向けた40の提言"

      28 NHKラーニング, "これもデザイン"

      29 Fortune, "The greatest designs of modern times"

      30 暮沢剛巳, "ICOM定義と日本のデザインミュージアム" 20 : 93-96, 2023

      31 日本デザイン団体協議会, "Designふたつの時代60s vs 00sジャパンデザインミュージアム構想" DNPアートコミュニケーションズ 2011

      32 Good Design Award, "2020グッドデザイン賞"

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