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    시극 <수리뫼> 연구 = A Study on the Poetic Drama <Surimoi>

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    https://www.riss.kr/link?id=A104995658

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Modern poetic drama of Korea made a new start in the 1920's. However, It was not until the 1960's that the poetic drama was finally established as one of the literary genre.
    This development of Korean poetic drama was greatly influenced by several factors­the rise of a variety of experimental mind concerning the poetry, the deep interest on T. S. Eliot, the spread of small theatrical movement at that time, the uplifted atmosphere of korean literary world on the occasion of the 400 birth anniversary of William Shakespeare.
    The poet Chang­ho was a central figure of korean movement of poetic drama in the 1960's. <Surimoi>, appeared first on stage in 1968, was his most laborious work which showed a revolutionary change in both from and substance.
    Strikingly different from other poetic drama at that time, <Surimoi> had the following distinctive characteristics:
    First, paying careful attention to the rhythm of line, it tried to revive and enhance the auditory function that was lightly treated and ignored in the past.
    Second, most of Korean poetic drama at that time were still remained as a piece of stage properties dealing with simple episode and anecdote. But <surimoi> was a full­scale multi-act poetic drama whose performance appeared on the big stage. Without getting together with other stage show, it made independent pay performance possible.
    Third, it mobilized a variety of methods of expression which dancing and singing were harmoniously intermingled.
    Fourth, it had a conflicting structure and distinctive coordinate concept, thus appealing to the emotional feelings of audiences.
    In these senses, <Surimoi> was significantly noticeable work reflecting a new direction of Korean poetic drama in the 1960's.
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    Modern poetic drama of Korea made a new start in the 1920's. However, It was not until the 1960's that the poetic drama was finally established as one of the literary genre. This development of Korean poetic drama was greatly influenced by several fa...

    Modern poetic drama of Korea made a new start in the 1920's. However, It was not until the 1960's that the poetic drama was finally established as one of the literary genre.
    This development of Korean poetic drama was greatly influenced by several factors­the rise of a variety of experimental mind concerning the poetry, the deep interest on T. S. Eliot, the spread of small theatrical movement at that time, the uplifted atmosphere of korean literary world on the occasion of the 400 birth anniversary of William Shakespeare.
    The poet Chang­ho was a central figure of korean movement of poetic drama in the 1960's. <Surimoi>, appeared first on stage in 1968, was his most laborious work which showed a revolutionary change in both from and substance.
    Strikingly different from other poetic drama at that time, <Surimoi> had the following distinctive characteristics:
    First, paying careful attention to the rhythm of line, it tried to revive and enhance the auditory function that was lightly treated and ignored in the past.
    Second, most of Korean poetic drama at that time were still remained as a piece of stage properties dealing with simple episode and anecdote. But <surimoi> was a full­scale multi-act poetic drama whose performance appeared on the big stage. Without getting together with other stage show, it made independent pay performance possible.
    Third, it mobilized a variety of methods of expression which dancing and singing were harmoniously intermingled.
    Fourth, it had a conflicting structure and distinctive coordinate concept, thus appealing to the emotional feelings of audiences.
    In these senses, <Surimoi> was significantly noticeable work reflecting a new direction of Korean poetic drama in the 1960's.

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    참고문헌 (Reference)

    1 "女子의 公園" 1966.4.

    2 "女子의 公園" 1966.4.

    3 "희생양을 찾는 성난 목소리」 문학과 창작" 2003.11

    4 "현실의 문학" 형설출판사 1976.

    5 "한국현대시극연구」" 2000

    6 "장호의 시극운동」" 한국교육연극학회 1999

    7 "시극운동의 문제점」" 1980.5

    8 "그 입술에 파인 그늘" ≪신동엽 전≫ : 1989.

    9 "그 입술에 파인 그늘" ≪신동엽 전≫ : 1998.신동엽

    1 "女子의 公園" 1966.4.

    2 "女子의 公園" 1966.4.

    3 "희생양을 찾는 성난 목소리」 문학과 창작" 2003.11

    4 "현실의 문학" 형설출판사 1976.

    5 "한국현대시극연구」" 2000

    6 "장호의 시극운동」" 한국교육연극학회 1999

    7 "시극운동의 문제점」" 1980.5

    8 "그 입술에 파인 그늘" ≪신동엽 전≫ : 1989.

    9 "그 입술에 파인 그늘" ≪신동엽 전≫ : 1998.신동엽

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    유사연구자 (20) 활용도상위20명

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2006-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2003-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2002-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    1998-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.68 0.68 0.62
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.63 0.61 1.138 0.18
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