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      인종차별주의적 관점에서 본 오셀로(Othello)의 손수건 = Racism in Othello’s Handkerchief

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      다국어 초록 (Multilingual Abstract)

      Thomas Rymer criticized Othello for using too much stress and repetition on handkerchief. Despite his comment, the handkerchief is crucial for the play because it has many symbolic meanings related to Desdemona, to Othello, and even to us. Handkerchief was a luxury item which showed the owner’s wealth, social status and even good behavior especially during the Elizabethan era. On the contrary, however, it could show sexual sin when it was in the hands of a prostitute. Strawberries spotted on the handkerchief also has contrary meanings of the good and hypocrites. This ambivalent meanings of the handkerchief and strawberries are what Iago uses to destroy Othello’s life.
      Iago’s malice against Othello is based on racism. As a racist, he thinks the marriage of Othello to a white woman is unnatural and intolerable. In the Venetian society of white people, Othello has been welcomed with his storytelling about his exotic past. Desdemona falls in love with his stories and betrays her father by marrying Othello. To her, handkerchief is something she can think of his stories as real. Iago knows the value of the handkerchief and uses it to destroy Othello. Incited by Iago’s trick, jealous Othello makes a story about the handkerchief to test her love. However, Desdemona doubts the truth of the story and it is the moment when he loses the authority of his whole stories and even himself. To prove his story as real, Othello clings to the handkerchief, and becomes a voluntary victim of Iago’s plot. Thus, Iago’s distortion of the symbolic meaning of the handkerchief causes Desdemona’s death and eventually destroys Othello.
      The last scene discloses another face of racism. The impartial attitude of Venetians toward Othello at the beginning of the play is gone. They share a hidden racist disapproval of Othello. Like the handkerchief, Othello is a mere ‘trifle’ within the Venetian racial society. This kind of hidden racism still remains among us. The color of the handkerchief proves it. We overlook the clue in the text and take it for granted that the color of the handkerchief is white. With the handkerchief, Shakespeare even makes us alert the racism which might exist in us without realizing it.
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      Thomas Rymer criticized Othello for using too much stress and repetition on handkerchief. Despite his comment, the handkerchief is crucial for the play because it has many symbolic meanings related to Desdemona, to Othello, and even to us. Handkerchie...

      Thomas Rymer criticized Othello for using too much stress and repetition on handkerchief. Despite his comment, the handkerchief is crucial for the play because it has many symbolic meanings related to Desdemona, to Othello, and even to us. Handkerchief was a luxury item which showed the owner’s wealth, social status and even good behavior especially during the Elizabethan era. On the contrary, however, it could show sexual sin when it was in the hands of a prostitute. Strawberries spotted on the handkerchief also has contrary meanings of the good and hypocrites. This ambivalent meanings of the handkerchief and strawberries are what Iago uses to destroy Othello’s life.
      Iago’s malice against Othello is based on racism. As a racist, he thinks the marriage of Othello to a white woman is unnatural and intolerable. In the Venetian society of white people, Othello has been welcomed with his storytelling about his exotic past. Desdemona falls in love with his stories and betrays her father by marrying Othello. To her, handkerchief is something she can think of his stories as real. Iago knows the value of the handkerchief and uses it to destroy Othello. Incited by Iago’s trick, jealous Othello makes a story about the handkerchief to test her love. However, Desdemona doubts the truth of the story and it is the moment when he loses the authority of his whole stories and even himself. To prove his story as real, Othello clings to the handkerchief, and becomes a voluntary victim of Iago’s plot. Thus, Iago’s distortion of the symbolic meaning of the handkerchief causes Desdemona’s death and eventually destroys Othello.
      The last scene discloses another face of racism. The impartial attitude of Venetians toward Othello at the beginning of the play is gone. They share a hidden racist disapproval of Othello. Like the handkerchief, Othello is a mere ‘trifle’ within the Venetian racial society. This kind of hidden racism still remains among us. The color of the handkerchief proves it. We overlook the clue in the text and take it for granted that the color of the handkerchief is white. With the handkerchief, Shakespeare even makes us alert the racism which might exist in us without realizing it.

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      참고문헌 (Reference)

      1 조영학, "셰익스피어극의 현대성과 르네상스 발라드" 한국셰익스피어학회 46 (46): 805-841, 2010

      2 Griffin, Eric, "Un-sainting James: Or, Othello and the “Spanish Spirits” of Shakespeare’s Globe" 62 : 58-99, 1998

      3 Stempel, Daniel, "The Silence of Iago" 84 (84): 252-263, 1969

      4 Ross, Lawrence J., "The Meaning of Strawberries in Shakespeare" 7 : 225-240, 1960

      5 Mirabella, Mira, "The Contradictory Life of the Handkerchief"

      6 Bradley, A. C., "Shakespearean Tragedy" Macmillan & Co 1937

      7 Engler, Balz, "Othello’s Great Heart" 68 (68): 129-136, 1987

      8 Smith, Ian, "Othello’s Black Handkerchief" 64 (64): 1-25, 2013

      9 Berry, Edward, "Othello’s Alienation" 30 (30): 315-333, 1990

      10 Collington, Philip D, "Othello the Traveller" 8 (8): 73-100, 2005

      1 조영학, "셰익스피어극의 현대성과 르네상스 발라드" 한국셰익스피어학회 46 (46): 805-841, 2010

      2 Griffin, Eric, "Un-sainting James: Or, Othello and the “Spanish Spirits” of Shakespeare’s Globe" 62 : 58-99, 1998

      3 Stempel, Daniel, "The Silence of Iago" 84 (84): 252-263, 1969

      4 Ross, Lawrence J., "The Meaning of Strawberries in Shakespeare" 7 : 225-240, 1960

      5 Mirabella, Mira, "The Contradictory Life of the Handkerchief"

      6 Bradley, A. C., "Shakespearean Tragedy" Macmillan & Co 1937

      7 Engler, Balz, "Othello’s Great Heart" 68 (68): 129-136, 1987

      8 Smith, Ian, "Othello’s Black Handkerchief" 64 (64): 1-25, 2013

      9 Berry, Edward, "Othello’s Alienation" 30 (30): 315-333, 1990

      10 Collington, Philip D, "Othello the Traveller" 8 (8): 73-100, 2005

      11 Shakespeare, William, "Othello" Cambridge UP 2012

      12 Furness, Horace Howard, "Othello" Lippincott 1886

      13 Sanders, Norman, "Othello" Cambridge UP 2012

      14 Shakespeare, William, "Othello" Lippincott 1886

      15 Berger Jr. Harry, "Impertinent Trifling: Desdemona’s Handkerchief" 47 (47): 235-250, 1996

      16 Jorgensen, Paul A., "Honesty in Othello" 47 (47): 557-567, 1950

      17 Andrews, Michael C., "Honest Othello: The Handkerchief Once More" 13 (13): 273-284, 1973

      18 Stockholder, Katherine S., "Egregiously an Ass: Chances and Accident in Othello" 13 (13): 256-272, 1973

      19 Leavis, F. R, "Diabolic Intellect and the Noble Hero: A Note on Othello" 259-283, 1937

      20 Linthicum, M. Channing, "Costume in the Drama of Shakespeare and his Contemporaries" Clarendon P 1936

      21 Coleridge, Samuel Taylor, "Coleridge’s Lectures on Shakespeare and Other Poets and Dramatists" J. M. Dent & Sons, Ltd. 1914

      22 Rymer, Thomas, "A Short View of Tragedy" 1693

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
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      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.12 0.12 0.14
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.12 0.11 0.561 0.03
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