1 임미경, "음악교수법" 학지사 2010
2 양종모, "음악 6" 금성출판사 2011
3 양종모, "음악 5" 금성출판사 2011
4 Laughlin, J. E., "The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improviser" 63 : 534-, 2002
5 Davison, P. D., "The role of self-efficacy and modeling in improvisation: The effects of aural and aural/notated modeling condition on intermediate instructional music students'improvisation achievement" 68 : 540-, 2006
6 Sadie, S., "The new Grove dictionary of music and musicians" Oxford University Press 2003
7 Sloboda, J. A., "The musical mind: The cognition psychology of music" Oxford University Press 1985
8 Guilbault, D. M., "The effect of harmonic accompaniment on the tonal improvisation of students in first through sixth grade" 57 (57): 81-91, 2009
9 Guilbault, D. M., "The effect of harmonic accompaniment on the tonal achievement and tonal improvisation of children in kindergarten and first grade" 52 (52): 64-76, 2004
10 Watson, K. E., "The effect of aural versus notated instructional materials on achievement and self-efficacy in jazz improvisation" 58 (58): 240-259, 2010
1 임미경, "음악교수법" 학지사 2010
2 양종모, "음악 6" 금성출판사 2011
3 양종모, "음악 5" 금성출판사 2011
4 Laughlin, J. E., "The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improviser" 63 : 534-, 2002
5 Davison, P. D., "The role of self-efficacy and modeling in improvisation: The effects of aural and aural/notated modeling condition on intermediate instructional music students'improvisation achievement" 68 : 540-, 2006
6 Sadie, S., "The new Grove dictionary of music and musicians" Oxford University Press 2003
7 Sloboda, J. A., "The musical mind: The cognition psychology of music" Oxford University Press 1985
8 Guilbault, D. M., "The effect of harmonic accompaniment on the tonal improvisation of students in first through sixth grade" 57 (57): 81-91, 2009
9 Guilbault, D. M., "The effect of harmonic accompaniment on the tonal achievement and tonal improvisation of children in kindergarten and first grade" 52 (52): 64-76, 2004
10 Watson, K. E., "The effect of aural versus notated instructional materials on achievement and self-efficacy in jazz improvisation" 58 (58): 240-259, 2010
11 Gordon, E. E., "Taking a look at music learning theory" 8 (8): 3-8, 1995
12 Gordon, E. E., "Rhythm: Contrasting the implications of audiation and notation" GIA Publications 2000
13 Kratus, J., "Relationships among children's music audiation and their compositional processes and products" 42 (42): 115-130, 1994
14 Walters, D. L., "Readings in music learning theory" GIA Publications 1989
15 Seashore, C. E., "Psychology of music" McGraw-Hill 1938
16 Gromko, J. E., "Predictors of music sight-reading ability in high school wind players" 52 (52): 6-15, 2004
17 Serafine, M. L., "Music as cognition:The development of thought in music" Columbia University Press 1988
18 Gordon, E. E., "Learning sequence in music: Skill, content, and patterns" GIA Publications 2007
19 Grunow, R. F., "Jump right in: The instrumental series" GIA Publications 1989
20 Gordon, E. E., "Implications in the music classroom" GIA Publications 2003
21 Brophy, T. J., "Developing improvisation in general music classes" 88 (88): 34-41, 2001
22 "Classroom activities"
23 Azzara, C. D., "Audiation-based improvisation techniques and elementary instrumental students' music achievement" 41 (41): 328-342, 1993
24 Azzara, C. D., "Audiation, improvisation, and music learning theory" 2 (2): 105-109, 1991
25 Azzara, C. D., "An aural approach to improvisation" 86 (86): 21-25, 1999