사이버 공간 소설에 나타난 여성성과 남성성 = 인물과 서사성의 상호관계를 중심으로

다국어 초록 (Multilingual Abstract)

In the respect of examining present novel mode, we have to study how the descriptive grammar is associated with the non-fictional character in the fantastical novel. It is why our novel literatures start with present novel one in the future. The cybernovels are serialized in the internet. The contents and plots are quite likely to change because websites have specific opened writer-reader. The kernel of the description in these website novels are the open of descriptive process and present. The writers make stories about the world, characters and the society in the beginning of the novel. There are fixed bodies, sex, social positions not as a physical existing but as a conceptual existing in these types of description. The change of the character, in particular, is expressed as special body parts or characteristic body forms. Both men and women change plain appearances in the real world into good-looking and extraordinary ones. As a result of that, extraordinary power, which require inverted bodies and pedigree, is a task for main characters to have to settle. The write feels narcissism as identifing their ideal type with themselves. In addition, the readers feel furtive please while reading the depiction of characters` bodies and behaviors` narration. Like this, the reconcilement of the body and the sex, made in the cyberworld, introduce an erotic factors in the novel against writers` will. The longer the novel is through episode`s insertion and arrangement, the more the subtextes, such as supplementary stories, paradies and character illustrations, are, the bigger the joint of the writer and the reader is. Thus, the description depends on the character more and more. So does Avata, used in the internet. The Avata is another ego, which existed in cyberspace. nonfictional creatures, regardless of physical limitation of the reality. The description and manhood and womanhood, which existed in the cybernovel, lied in the extension line of our real world.