『文章』 게재 시의 특성 = The Characteristics of Poems Published in Munjang － Focusing on the aspects of mixing the ‘old’ and the ‘new’

다국어 초록 (Multilingual Abstract)

It is very difficult to have an overall understanding of 195 poems published in Munjang. Munjang was not the literary magazine for writers from specific trends or schools of literary thoughts. It published poems of 55 poets and it is not too much to say that almost all prominent poets of that period published their poems in Munjang. Therefore, it would be very difficult to find out the characteristics of poems published in Munjang according to a single standard.
Among poems in Munjang, Poems by Jeong Ji-yong and Paek Seok are influenced by the ‘old’. They accepted the past literary tradition and developed a new form, and extended the context of temporal and spatial meanings of poems. This paper confirmed the intensity of admiration for the past in poems by Jo Ji-hoon and Park Jong-hwa. These are examples of the influence of the ‘old’ in Munjang. Especially, intense admiration expressed in their poems is an extreme of taste in antique or classicism shown in poems of Munjang. Jeong Ji-yong mobilized sense to restore the world of landscape in his later poems. His sense was obtained from the tradition of the Orient. The ‘new’, an elaborate and detailed sense succeeded and developed by Jeong Ji-yong and the ‘old’, an inclination for taste in antique or classicism of Munjang meet.
The relation between 195 poems by 55 poets and the inclination for taste in antique or classicism of Munjang is very distinctive. This paper made detailed investigation into how the characteristics of Munjang was reflected in all poems published in Munjang or how each poet reacted to this characteristics. And with this investigation, it examined how the inclination for taste in antique or classicism of Munjang permeated into the characteristics of poems in that period and how it was modified by each poet. As with the case of Jeong Ji-yong, poems in Munjang showed the aspects of mixing the ‘old’ and the ‘new.’ Classifying poems in Munjang into the ‘old’ and the ‘new’, this paper clarified that these two were not in opposition but in the process of compromising. The old and the new are distinguished externally, however, the difference is not so great except the primary characteristics of subject matter and form. This paper revealed that there is no value rank between the ‘old’ and the ‘new.’ They were equal and parallel at the same time. In poems of Munjang, the ‘old’, presented with the inclination for taste in antique or classicism and the ‘new’ of those days, products of modern era coexisted together.

목차 (Table of Contents)

• 1. 서론
• 2. 본론
• 3. 결론
• 【참고문헌】
• 【Abstract】

참고문헌 (Reference)

1 황종연, "한국문학의 근대와 반근대-1930년대 후반기 문학의 전통주의 연구" 동국대 1992

2 이봉범, "잡지 『문장』의 성격과 위상" 반교어문학회 22 (22): 105-137, 2007

3 정종현, "식민지 후반기 한국문학에 나타난 동양론 연구" 동국대 2006

4 황종연, "문장파 문학의 정신사적 성격" 동악어문학회 21 : 1986

5 류준형, "문장지의 시조 작품 연구" 국어국문학회 95 : 1986

6 김이상, "문장지의 시 연구1" 한국어문교육학회 5 : 1982

7 김윤식, "문장지의 세계관 in: 한국근대문학사상비판" 일지사 1980

8 이숭원, "문장지 시에 나타난 고향의식 시고" 한국어교육학회 36 : 1980

9 이명희, "문장이 보여준 ‘전통’의 의미와 의의 in: 1930년대 후반 문학의 근대성과 자기 성찰" 깊은샘 1998

10 배개화, "『문장』지의 내간체 수용 양상" 한국현대소설학회 (21) : 141-160, 2004

11 차혜영, "‘조선학’과 식민지 근대의 ‘지(知)’의 제도 - 『문장』을 중심으로" 국어국문학회 141 : 505-533, 2005

12 이명찬, "1940년 전후의 시정신-인문평론과 문장을 중심으로" 18 : 1999

13 최승호, "1930년대 후반기 시의 전통지향적 미의식 연구-문장파 자연시를 중심으로" 서울대 1994

14 차승기, "1930년대 후반 전통론 연구" 연세대 2003