디자인 領域에 對한 考察 : 文化人類學的 見地에서 接近해 본 = A Study On the Design Area

다국어 초록 (Multilingual Abstract)

I have now come to the end of a survey of the design as to human life. In accordance with this broader conception of design, more space has been given to the teachings this province. Because we are now able to see more clearly the advanced, artistic and revolutionary trends of our times.
It is an appropriate time to ask ourselves a number of questions. What is the meaning of design? Do you learn anything valuable form the study of design? what is the fate of: our own civilization of design? Is there a way, destined to escape, form decay, disintegration and succumbing to temptation?
And the other vocabulary ; ideology, thought, concinnity, nature, liberty, temps(time), espace(space) and methodology.
And now, I am only standing on a strange stage, vague thought on design. But the time has long sinced passed when modern man could think of the world as consisting of the art and the design. The purpose of this work is to present a compact survey of man's struggle for civilization from ancient times to the present. No major area or country of this globe has been omitled.
In the field of design, the entire span of human history can be devided in two sorts, a age of recreation and a age of creation. The development to the provicne of design has been depended on both the former and the latter, but especially it has been created in great force.
In short, our recent civilization will be existing created by the working of our modern designing, and by the acting of it's works.

목차 (Table of Contents)

• Ⅰ. 序論
• 1. 디자인의 外延과 內包
• 2. 디자인의 考察方法과 範圍
• Ⅱ. 本論
• 1. 디자인과 文明, 文化
• 1) 文化의 文明
• 2) 生活의 디자인
• 3) 社會의 디자인
• 4) 前工業文化의 디자인
• 5) 工業技術文化의 디자인
• 6) 未來文化로서의 社會技術文化의 디자인
• 2. 文化와 디자인 關係
• 1) 文化人類學的 見地에서 接近해본 디자인
• 2) 東洋的인 思想에 接近해본 디자인
• 3. 디자인의 三大領域
• 4. 디자인의 分野 分類
• Ⅲ. 結論
• 參考文獻
• ABSTRACT