Digital creativity : techniques for digital media and the internet

목차 (Table of Contents)

• CONTENTS
• Preface = xiii
• Who Should Read this Book = xiii
• The Purpose of this Book = xiv
• What this Book is Not = xv
• How this Book is Organized = xv3
• Acknowledgments = xvii
• Chapter One The History of Digital Media - Then and Now : The Predigital Traditions and Inventions That Have Spawned New Media = 1
• Oral History = 2
• Abacus and Mathematics = 2
• Cave Drawings and Paintings = 3
• Written Language = 3
• Book = 4
• The Printing Press = 4
• Photographs = 4
• Telephone = 5
• Electricity = 5
• Typewriter = 6
• Motion Pictures = 6
• Radio = 7
• Television = 7
• Early Computer Graphics = 8
• The Development of Workstations? = 9
• The Development of Personal Computers = 10
• The CD-ROM Era = 14
• The Internet Era = 15
• Games = 16
• Summary = 17
• Bibliography = 19
• Exercises = 19
• Interview : Christiane Paul = 20
• Chapter Two The Basics of Digital Media = 27
• Input = 28
• Analog-to-Digital Converters = 30
• Audio Input = 30
• Video Input = 30
• Processing = 31
• Central Processing Unit = 32
• Motherboard = 32
• Bus = 32
• Memory = 32
• Disk Drives = 33
• Ports = 33
• Modems 34
• Cable Modem = 34
• DSL = 35
• Personal Digital Assistants 35
• Software 35
• Operating systems = 35
• Software Applications = 36
• Painting and Drawing 36
• 2D Animation = 37
• 3D Animation = 30
• Video Editing and Compositing = 38
• Internet 39
• Programming = 39
• Output = 40
• The Computer Image = 41
• Color Palettes = 42
• The Web-Safe Palette 42
• Video = 42
• Audio CD, CD-ROM, and DVD = 42
• Printers = 43
• System Configuration = 43
• Case Study : Wands Studio = 46
• Summary = 49
• Bibliography = 49
• Exercises = 49
• Chapter Three Creativity = 51
• What is Creativity? = 52
• The Four "I"s = 52
• Brainstorming = 57
• Practical Creative Techniques = 58
• Digital Methods = 59
• Libraries and Bookstores = 62
• Drawing and sketching = 63
• Photography／Video = 64
• Summary = 68
• Bibliography = 68
• Exercises = 69
• Interview : Isaac Kerlow = 70
• Interview : Barbara Nessim 76
• Chapter Four The Production Pipeline = 81
• Preproduction = 82
• Idea／Concept = 83
• Research／Sketching = 84
• Script = 85
• Storyboard = 85
• Navigation and Flow Chart = 86
• Animatic = 87
• Working Prototype = 87
• Final Preproduction Material = 88
• Production = 88
• Postproduction = 89
• Manufacturing and Distribution = 89
• Production Environments = 89
• Scheduling = 90
• Budgets = 92
• The Production Team = 92
• Producer = 92
• Director = 93
• Artists = 93
• Designers = 93
• Video = 93
• Audio = 94
• Computer Animation = 94
• Web Production = 94
• Programmers = 95
• Systems Administrators = 95
• Summary = 95
• Bibliography = 97
• Exercises = 97
• Interview : Steven Heller = 98
• Chapter Five Design and Typography = 101
• Design = 102
• Form Follows Function = 104
• Principles of Design = 104
• Color = 104
• New Design Considerations = 106
• Introduction to Typography = 107
• Fundamental of Typography = 107
• Typefaces = 107
• Type Size = 108
• Type Style = 109
• Spacing = 109
• Alignment = 109
• The Creative Use of Type = 110
• Layouts = 110
• Choosing a Typeface = 110
• Working with Type = 111
• Working with Type and Image = 000
• Letting Images or Graphics Tell the Story = 112
• Case study : SVA Subway Poster Design = 113
• Summary = 116
• Bibliography = 117
• Exercises = 117
• Interview : Bonnie Hammer = 118
• Chapter Six Web Design and Production = 121
• The Team = 122
• Concept／Idea = 123
• Define Content and Gather Information／Resources = 123
• information Architecture = 124
• Determining Software for the Web Site = 124
• Site design and Prototype = 126
• Metaphor and Visual Style = 127
• Creating and Preparing Content for the Web = 128
• HTML = 129
• HTML Text and Tags = 129
• Fonts = 130
• Color and Images = 130
• Image File Formats = 131
• Vector Formats, Macromedia Flash, and Adobe LiveMotion™ = 132
• Links = 133
• Sound and Video = 133
• Case Study : www.brucewands.com = 134
• Case Study : Voyage of Discovery, The National Trust = 136
• Case Study : Rich Borge, Illustrator, www.richborge.com = 142
• Case Study : Pamela Hobbs, Illustrator, www.pamorama.com = 146
• Summary = 151
• Bibliography = 152
• Exercises = 152
• Interview : Pamela Hobbs = 153
• Chapter Seven Digital Photography = 157
• Photographic Production Process = 159
• The Digital Camera = 162
• Technical Issues = 163
• Exposure and Shutter Speed = 166
• Exposure = 166
• Camera Equipment = 167
• Tripod = 167
• Creative photography = 168
• Lighting = 172
• Table-Top Photography = 175
• Portrait photography = 175
• Location Photography = 177
• The Digital Image = 178
• Scanning and Digitizing = 178
• Digital Image Processing = 179
• Output = 180
• Summary = 180
• Bibliography = 181
• Exercises = 181
• Interview : Matthew Schlanger = 182
• Chapter Eight Video Production = 189
• The Video Production Process = 190
• The Analog Video Signal = 190
• Adjusting a Video Monitor and Signal = 192
• Analog Formats = 193
• Digital Formats = 193
• Video Production Technique = 193
• Script = 193
• Camera Techniques = 194
• Lighting = 195
• Studio Lighting Techniques = 196
• Location Lighting Techniques = 197
• Audio = 197
• Shooting Video = 197
• Covering a Scene = 198
• Digitizing Video = 198
• Practical Concerns When Digitizing Footage = 199
• Editing = 199
• Video Output = 202
• Video for the Internet = 202
• Streaming Media = 203
• DVD = 203
• Digital Video Software = 204
• Future Trends in Digital Video = 204
• Summary = 205
• Bibliography = 206
• Exercises = 206
• Interview : G.H.Hovagimyian = 207
• Interview : Antoinette LaFarge = 210
• Chapter Nine Audio = 215
• The Nature of Sound = 210
• Analog and Digital, Audio Theory = 216
• Frequency Range = 216
• Dynamic Range = 217
• Sample／Rates = 217
• Bit Depth = 217
• Formats = 218
• MIDI = 218
• Audio on the Internet = 218
• Audio Internet Formats = 218
• Digital Audio Production = 220
• Audio Preproduction = 220
• Audio Production = 220
• Locating Sounds／Music = 221
• Narrators = 221
• Sound Effects = 222
• Music = 222
• Choosing Music = 223
• The recording Process = 224
• Types of Microphones = 224
• Choosing a Microphone = 224
• Location sound = 226
• Mixing = 227
• Mastering = 228
• Duplicating = 229
• Case Study : Louisiana Moon by Bruce Wands = 230
• Summary = 232
• Bibliography = 232
• Exercises = 232
• Interview : Pat Johnson = 233
• Interview : Cathy Benante = 236
• Chapter Ten 2D Animation : Traditional into Digital = 241
• History = 242
• The Creative Process for 2D Animation = 225
• The Role of the Animation Director = 246
• Breaking Down a Script = 228
• Making Exposure Sheets = 229
• Image Sequencing = 250
• Limited Animation = 251
• Character Animation = 251
• The Fundamental of Motion = 251
• The Process of Animation Drawing = 254
• Roughs = 254
• In-Betweens = 255
• Clean-ups = 255
• Inking and Painting = 256
• Animation Photography = 257
• Digital 2D Animation = 259
• 2D Animation for the Internet = 260
• Creating an Animation for the Internet = 261
• Summary = 263
• Bibliography = 264
• Exercises = 264
• Interview : Andy Lackow = 266
• Interview : Victor Acevedo = 269
• Chapter Eleven 3D Animation = 273
• The 3D Animation Process = 274
• The 3R World Space and Navigating Through It = 274
• The Pyramid of Vision = 275
• Transformations = 277
• 3D Cameras = 278
• Twist or Roll = 279
• Point, Lines, and Curves = 279
• Modeling = 281
• 3D Scanning = 283
• Surfaces = 283
• Shading Models = 284
• Surface Properties = 285
• Textures = 286
• Lighting = 289
• Lighting Techniques = 290
• Animation = 290
• Planning Animation = 291
• Timing and Exposure Sheets = 291
• Layout and Camera Composition = 292
• Character Animation = 293
• Design = 293
• Advanced Animation Techniques = 293
• Rendering = 295
• Summary = 295
• Bibliography = 296
• Exercises = 296
• Interview : joseph Nechvatal, Ph.D. = 297
• Interview : Zach Schlappi = 301
• Chapter Twelve Professional Issues = 305
• Resume = 306
• Portfolio = 306
• Exhibiting Your Personal Creative Work = 307
• Maintaining a Personal Web Site = 308
• Employment = 308
• Professional Organizations = 310
• Health = 310
• Summary = 311
• Bibliography = 313
• Exercises = 313
• About the Author = 315
• Index = 319