문학과 문화 : 박세당만시(朴世堂挽詩)의 흐름과 표현 양상 = A Study on Expression Aspect of Park Se-dang`s Mansi(만시:condolatory poetry)

국문 초록 (Abstract)

Mansi(만시:condolatory poetry) is a poem of mourning death. In other words, it is a poem of revering the social reputation of the dead and of feeling sorry for death targeting specific character. Mansi was exponentially increased the number centering on people whose social status is high while an individual`s collection of works was much prevalent in Joseon period. Due to prevalence of Mansi, the evil practice was ever shown, which exaggerates or reveres more highly than the actual track of the dead. This study aimed to examine its aspect centering on Mansi that was composed by Confucian scholar Park Se-dang in the 17th century. As for Mansi composed by Park Se-dang, there is a work that was written targeting 104 people in 『Seogyejip (서계집)』. Park Se-dang`s Mansi recited on the most basic death with escaping from what was false and exaggerated, which is shown in Mansi during the late Joseon period, and is breaking from convention, which is indicated in many condolatory poems. As for Park Se-dang`s Mansi, 104 Je can be known to be varied the expression aspect depending on sequence of time. In the early days, the intensity of recognition was being expressed as the most general meaning, which is distant from himself. Nothing was aimed to be expressed except dictionary and daily meaning. As for Mansi, which was written following his 50s, a sight of looking at the dead was indicated by being expanded into a living person`s grief along with lingering attachment. Mansi, which was composed following his 60s, ever expressed a living person`s deep sadness rather than a regret for the dead due to two sons consecutive death. Furthermore, the transcendental sight on death was ever shown.

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