『오셀로』재현을 둘러싼 왕정복고기 공연 관행과 성 정체성 탐색 = Restoration Theatrical Practices and Sexual Identity in the Representation of Otello: Stage Beauty

다국어 초록 (Multilingual Abstract)

Richard Eyre's Stage Beauty, which is based on the Compleat Female Stage Beauty
written by Jeffrey Hatacher, represents Restoration theatrical practices via the performance of Othello In the beginning of the movie, Ned Kynaston is on the peak of his career as a female impersonator However, when Charles Ⅱ proclaimed a law allowing women on stage and banned men from playing female roles, his very existence was threatened Even though he had no other choice but to play a male role, he was unable to shake off the female characteristics he had been training since his boyhood After this downfall, he struggled to play male characters but he failed When he helped Maria play Desdemona, he overcame the female stereotype he internalized and succeeded in playing Othello Stage Beauty, dealing with performance, gender, and sexual identity, reveals many cultural aspects of Restoration culture through the representation of the contemporary theatrical practices

참고문헌 (Reference)

1 Maus, Katherine E, "“‘Playhouse Flesh and Blood’: Sexual Ideology and the Restoration Actress" 46 : 595-617, 1979

2 Scott, A. O, "Upstaged by the King, an Actor in Drag Straightens Ou" New York Times

3 Howe, Elizabeth, "The First English Actresses: Women and Drama 1660-1700" Cambridge UP 1992

4 Jardine, Lisa, "Still Harping on Daughters: Women and Drama in the Age of Shakespeare" Barnes and Noble 1983

5 Chocano, Carina, "Stage Beauty: Claire Danes and Billy Crudup are in love in a time before "issues."" Los Angeles Times Movie Review

6 "Stage Beauty. Dir. Richard Eyre. Perf. Billy Crudup and Claire Danes. Rupert Everett, Tom Wilkinson and Zoe Tapper. 2004"

7 Travers, Peter, "Stage Beauty"

8 Web, Johnny, "Stage Beauty"

9 Gleiberman, Owen, "Movie Review: Stage Beauty" Entertainment Weekly

10 Levin, Laura, "Men in Women's Clothing: Antitheatricality and Effemization from 1579 to 1642" 28 : 121-143, 1986

11 Cardullo, Bert, "Lost in Transition" 58 (58): 461-468, 2005

12 Orgel, Stephen, "Impersonations: The Performance of Gender in Shakespeare's England" Cambridge UP 1996

13 Greenblatt, Stephen, "Fiction and Friction, in:Shakespearean Negotiations" U of California P 66-93, 1988

14 Mayer, Carla, "Crudup Outshines Beauty" San Francisco Chronicle Movie Review

15 Howard, Jean, "Crossdressing, the Theatre, and Gender Struggle in Early Modern England" 39 : 181-210, 1988

16 Bullough, Vern L, "Cross Dressing, Sex, and Gender" U of Pennsylvania P 1993

17 Burt, Richard, "Backstage Pass(ing): Stage Beauty, Othello, and the Make-up of Race, in:Screening Shakespeare in the Twenty-First Century" Edinburgh UP 53-71, 2006