冲突与融合 —早期现代化在景德镇陶瓷业中的阵痛— = The Present and Past of Jingdezhen Ceramic Industry

다국어 초록 (Multilingual Abstract)

In this article, the writer would like to, through a case study on Jingdezhen ceramic industry during its early modernization, which means its transformation from handicraft workshop to company, from tradition to modern, let the readers get to know the various differences and distance between the production mode and cultural concept of traditional Chinese handicraft industry and modern industry, for it’s such differences and distance that create the various problems and obstructions for the early modernization in China. Such case is more particular in Jingdezhen, an inland mountainous city of ceramic handicraft, where trade associations, patriarchal clans, and traditional customs closely connected with surrounding countryside villages have firm controls on the production mode and living style of many handicraftsmen. Therefore, there are more problems for transformation in the place.In the period of the Republic of China, some intellectual elites, with their enthusiasm to save the nation by engaging in industry, adopted a series of improving measures and cultivated some technical talents. But, their works were not sufficient enough. Since 1949, with its thousands-year traditional production mode ended, Jingdezhen ceramic handicraft has followed away of western industrialization. However, following the deepening development of market-oriented economy in China in 1990s, many state-owned ceramic factories broke up. Thus, the ceramic industry in Jingdezhen resumed to its traditional production mode of handicraft industry. Hundreds of small ceramic handicraft workshops emerged in Jingdezhen Republic of China and in the time after the founding of new china, as well as the various ceramic industrial culture has drawn more attention and got more protection, for starting from 2000, Chinese government has been paying more and more attention to the safe guarding of intangible cultural heritages. Today, with the proposal of the idea of cultural diversity, many intellectuals query the necessity for all nations or all regions to follow the way of western large-scale industrialization, and thus to deny the traditional culture and production mode of non-western countries. The writer of this article thinks that, the past and present situation of Jingdezhen ceramic industry may provide some exploratory possibilities to tackle the queries.

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