연극연출에 있어서 한 장면의 리듬과 템포에 관한 고찰(2) = An Investigation upon the Rhythm and Tempo of a Scene in Play Direction ( 2 )

다국어 초록 (Multilingual Abstract)

This thesis deals especially with the function of the rhythm and tempo by picturization of a scene. Many elements, which consist of a scene, have characteristics of movement, direction, power, level, colour, position and so on. They stimulate and influence by creation of rhythm and tempo. The primary function of rhythm and tempo is to synthesis all elements in a scene and to transform a plain scene into the vivid, vital and real scene. For this purpose a director must be also a commander, choreographer and composer.
It can be said that we divide rhythm and tempo into Internal and External. And they have a strong relationship. We can observe the internal rhythm-tempo in a scene itself, colour of setting, costume, the emotional state of characters and so on. And we can also observe the External in the speed of dialogues, movements of characters and in the variations of scene-changes. Of course, there are so many other elements, which effect on the creation of rhythm and tempo in a scene. But what is important is how the director can manipulate these elements and create a scene effectively.
In this means, director is the one who has the responsibilities for the creation of rhythm and tempo. The creation of rhythm and tempo is not brought in a scene by chance. Thus a director must think carefully how he can create rhythm and tempo in a scene with these elements.

목차 (Table of Contents)

• 1. 들어가는 글
• 2. 장면연출과 리듬·템포의 내적, 외적 상관관계
• 3. 한 장면의 내적 리듬과 템포
• 4. 한 장면의 외적 리듬과 템포
• 5. 통합기능으로서의 리듬과 템포, 인위적 통제가능성
• 6. 나가는 글