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      Netflix's Chilling adventures of Sabrina : Hell's under new management

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      https://www.riss.kr/link?id=M16975654

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      목차 (Table of Contents)

      • CONTENTS
      • Acknowledgments = ix
      • Introduction : Something Wickedly Different This Way Comes : Netflix's Chilling Adventures of Sabrina / Cori Mathis ; Stephanie A. Graves ; Melissa Tyndall = 1
      • PART 1. “A girl who was half-witch, half-mortal” : The Witches of Greendale = 9
      • Chapter 1 : The Revised Image of the Witch : Historical Archetypes Revamped for the Contemporary Online Audience
      • CONTENTS
      • Acknowledgments = ix
      • Introduction : Something Wickedly Different This Way Comes : Netflix's Chilling Adventures of Sabrina / Cori Mathis ; Stephanie A. Graves ; Melissa Tyndall = 1
      • PART 1. “A girl who was half-witch, half-mortal” : The Witches of Greendale = 9
      • Chapter 1 : The Revised Image of the Witch : Historical Archetypes Revamped for the Contemporary Online Audience
      • Farhana Irshad = 11
      • Chapter 2 : The Inclusive Witch in Chilling Adventures of Sabrina = 27
      • Diana Celeste Etain and Cori Mathis
      • Chapter 3 : Controlling the Female Body : Foucault, Catholic Ireland, and Chilling Adventures of Sabrina
      • Shannon Hughes Spence and Cori Mathis = 45
      • PART 2. “I want freedom and power” : Depictions of Feminism = 61
      • Chapter 4 : Proliferating Feminisms and the Irruption of the Material in Chilling Adventures of Sabrina = 63
      • Tp Coughlin
      • Chapter 5 : The Devil You Know? Feminism and Postmodern Pastiche of Satanism and the Infernal in Chilling Adventures of Sabrina = 81
      • Alice Capstick
      • Chapter 6 : Giving Satanic and Divine Patriarchy a Run for Their Money : Hybridity, Liminality, and Female Empowerment in Chilling Adventures of Sabrina = 101
      • Luisa Fernanda Grijalva-Maza
      • PART 3. “I feel more myself in boys’ clothes” : Identity and Intersectionality = 117
      • Chapter 7 : From Having to Choose to Being Chosen : Analyzing Sabrina as a Mixed (Race) Being = 119
      • Lisa Delacruz Combs, Nicole Neifert, and Marc P. Johnston-Guerrero
      • Chapter 8 : “I want freedom and power” : The Allegory of Queer Rhetoric in Chilling Adventures of Sabrina = 139
      • Stephanie A. Graves
      • Chapter 9 : Empowering Liminality in Chilling Adventures of Sabrina = 153
      • Laura Davidel
      • PART 4. “Top boy, Sabrina?” : Gender and Gender Performance = 173
      • Chapter 10 : “I’m sick of being the afterthought, the joke” : Hilda Spellman’s Empowering Domesticity in Netflix’s Chilling Adventures of Sabrina = 175
      • Katie E. Cline
      • Chapter 11 : The Gothic Mother and Daughter in Chilling Adventures of Sabrina = 195
      • Melissa Tyndall
      • Chapter 12 : Devouring Women, Consuming Men : Cats, Mice, and the World of Sabrina Spellman = 215
      • David Rosen
      • PART 5. “Where it always feels like Halloween” : Style and Form = 233
      • Chapter 13 : “What’s needed here is a fundamental shift in thinking” : Chilling Adventures of Sabrina and the Complexities of the Teen Drama = 235
      • Cori Mathis
      • Chapter 14 : The Legacy, Liberation, and Limitations of Gender and Genre in Chilling Adventures of Sabrina = 255
      • Lori Bindig Yousman
      • Chapter 15 : Anachronistic Bricolage and Eternal Autumn Aesthetic in Chilling Adventures of Sabrina = 279
      • Daria Romanova and Maggie Webster
      • Chapter 16 : Intersecting Narratives and the Book(s) of the Beast : The Multiplicity of Textual Engagements and Chilling Adventures of Sabrina = 295
      • Alissa Burger
      • Index = 317
      • The Coven of Contributors = 327
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      Netflix's Chilling Adventures of Sabrina: Hell's Under New Management

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