Pak T’aewŏn’s two most important works from the 1930s, A Day in the Life of Kubo the Novelist and Scenes from Ch’onggye Stream, remain lively artifacts of life and literature in Seoul during this turbulent decade of Korea’s colonial modernity...

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
Pak T’aewŏn’s two most important works from the 1930s, A Day in the Life of Kubo the Novelist and Scenes from Ch’onggye Stream, remain lively artifacts of life and literature in Seoul during this turbulent decade of Korea’s colonial modernity...
Pak T’aewŏn’s two most important works from the 1930s, A Day in the Life of Kubo the Novelist and Scenes from Ch’onggye Stream, remain lively artifacts of life and literature in Seoul during this turbulent decade of Korea’s colonial modernity. In disclosing the uneasy coexistence of the traditional and the modern, as well as sharp inequality, the texts represent everyday life in Pak’s beloved city as a complex mixture of suffering and kindness, aspiration and disappointment, monotony and excitement. But beyond their social critiques and documentary value, I would like to argue, Pak’s works embody a pronounced ethical sensibility, one that calls for continual openness to the other in her or his singularity. In this regard, Kubo constitutes a sort of ethical odyssey, one that is reflected and instantiated in Kubo’s evolving narrative stance, which shifts from totalizing, prefabricated stereotypes of Seoulites to empathetic and open-ended portraits of singular human beings.
Ch’onggye Stream, then, may be seen as furthering and enhancing this ethical sensibility, in that here we encounter a more objective and nonjudgmental narrator who provides the “precarious,” struggling to make a life, with nuanced and intricate subjectivities. Amidst all the cruelties and injustices imbued in this patriarchal and colonized society, I would like to argue, Pak nevertheless asserts that the artist and the man, as Shelley wrote, ought to “imagine intensely and comprehensively,” always striving to “put himself in the place of another and of many others.”
참고문헌 (Reference)
1 P.B. Shelley, "Shelley’s Poetry and Prose" W. W. Norton & Company 509-538, 2002
2 Pak T’aewŏn, "Scenes from Ch’onggye Stream" Stallion Press 2010
3 Pak T’aewŏn, "One the Eve of the Uprising and Other Stories from Colonial Korea" Cornell University East Asia Program 2010
4 Theodore Hughes, "Literature and Film in Cold War South Korea: Freedom’s Frontier" Columbia University Press 44-183, 2012
5 Marian Eide, "Ethical Joyce" Cambridge University Press 2-84, 2002
6 왈쉬켈리, "Bridging Disappointmeht: Pak Taewon's Kubo and James Joyce's Ulysses" 규장각한국학연구원 25 (25): 55-88, 2012
1 P.B. Shelley, "Shelley’s Poetry and Prose" W. W. Norton & Company 509-538, 2002
2 Pak T’aewŏn, "Scenes from Ch’onggye Stream" Stallion Press 2010
3 Pak T’aewŏn, "One the Eve of the Uprising and Other Stories from Colonial Korea" Cornell University East Asia Program 2010
4 Theodore Hughes, "Literature and Film in Cold War South Korea: Freedom’s Frontier" Columbia University Press 44-183, 2012
5 Marian Eide, "Ethical Joyce" Cambridge University Press 2-84, 2002
6 왈쉬켈리, "Bridging Disappointmeht: Pak Taewon's Kubo and James Joyce's Ulysses" 규장각한국학연구원 25 (25): 55-88, 2012
조이스 현상을 수용하는 당대 비평 담론의 양상과 그 의미
학술지 이력
| 연월일 | 이력구분 | 이력상세 | 등재구분 |
|---|---|---|---|
| 2028 | 평가 | 재인증평가 신청대상 (재인증) | |
| 2022-01-01 | 등재 | 등재학술지 유지 (재인증) | ![]() |
| 2019-01-01 | 등재 | 등재학술지 유지 (계속평가) | ![]() |
| 2016-01-01 | 등재 | 등재학술지 선정 (계속평가) | ![]() |
| 2014-01-01 | 등재 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
| 기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
|---|---|---|---|
| 2016 | 0.64 | 0.64 | 0 |
| KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
| 0 | 0 | 0 | 0 |