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    영상의 혼돈미학 2 - 동결영상 ( 凍結映像 , frozen image ) 의 혼돈미학 = Aesthetic reflection on the chaos of luc - media image 2 - The chaos of frozen image

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    https://www.riss.kr/link?id=A19713449

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    Luc-media image(映像, young-sang) is composed by technology and is born by perception. Luc-media image is the phenomenon of light with which Luc-media technology objectified an object However, this meaningless phenomenon of light in the absence of horizons come into `percept being-in-the-Luc-media image`, because of the inter·-structure through which Luc-media technology and perception is based on the psychological principle of β apparent movement & phi phenomenon, orient oneself to each other and because of the unconscious instinct of perception toward one`s own horizons. β apparent movement & phi phenomenon is the principle with which Luc-media technology embody the time-ness of Luc-media image. Perception inhabiting the body always bring into being horizons through the body and perceive again through that horizons. Therefore, The horizons is incessantly being transmuted through perception Because both this nature of perception and this principle of Luc-media technology are applied to have an experience of frozen image, perception happen on one`s chaoatic horizons(virtual camera and virtual camera movement) through frozen image. The world of Luc-midea image is inter-world between Luc-media technology and perception Luc-midea image is always in chaos because of the nature of perception which tend to perceive Luc-midea image, in the absence of horizons but orienting to perception by the horizons resulted from bodily experience in the world of one`s own life. This chaos of Luc-midea image get to be aesthetic nature which is able to cause Luc-midea image to be artistic, get to be the horizons in the World of Luc-midea image. Luc-midea technology orienting to perception but always letting one`s perception fall into ambiguous chaos incessantly product the limitless horizons in the world of Luc-midea image, which is the technology-aesthetics of Luc-media image Art and the chaos-aesthetics of Luc-media technology.
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    Luc-media image(映像, young-sang) is composed by technology and is born by perception. Luc-media image is the phenomenon of light with which Luc-media technology objectified an object However, this meaningless phenomenon of light in the absence of h...

    Luc-media image(映像, young-sang) is composed by technology and is born by perception. Luc-media image is the phenomenon of light with which Luc-media technology objectified an object However, this meaningless phenomenon of light in the absence of horizons come into `percept being-in-the-Luc-media image`, because of the inter·-structure through which Luc-media technology and perception is based on the psychological principle of β apparent movement & phi phenomenon, orient oneself to each other and because of the unconscious instinct of perception toward one`s own horizons. β apparent movement & phi phenomenon is the principle with which Luc-media technology embody the time-ness of Luc-media image. Perception inhabiting the body always bring into being horizons through the body and perceive again through that horizons. Therefore, The horizons is incessantly being transmuted through perception Because both this nature of perception and this principle of Luc-media technology are applied to have an experience of frozen image, perception happen on one`s chaoatic horizons(virtual camera and virtual camera movement) through frozen image. The world of Luc-midea image is inter-world between Luc-media technology and perception Luc-midea image is always in chaos because of the nature of perception which tend to perceive Luc-midea image, in the absence of horizons but orienting to perception by the horizons resulted from bodily experience in the world of one`s own life. This chaos of Luc-midea image get to be aesthetic nature which is able to cause Luc-midea image to be artistic, get to be the horizons in the World of Luc-midea image. Luc-midea technology orienting to perception but always letting one`s perception fall into ambiguous chaos incessantly product the limitless horizons in the world of Luc-midea image, which is the technology-aesthetics of Luc-media image Art and the chaos-aesthetics of Luc-media technology.

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