알반 베르크( A. Berg )의 오페라 보체크《 Wozzeck 》에 나타난 텍스트적 의미의 음악적 표현: 보체크의 비극을 낳은 자연과 사회의 갈등을 중심으로 = The Musical Representation of Meaning Embedded in the Text of the Opera 《Wozzeck》 by Alban Berg: With the focus on the nature and social conflict underlying the tragedy

다국어 초록 (Multilingual Abstract)

A significant tenet underlying G. Buchner drama Woyzeck is to reveal the interrelationship between the inner nature of human beings and social environment, and thus to plea to the responsibility of society owed for Wozzeck’s crime. A. Berg’s music tunes into the psychological dynamics embedded in the drama through various compositional techniques, most important of which is his exquisite uses of leitmotives. Other musical expressions of A. Berg, such as the relational structure among the poormotive, the soldier's rhythm, and the murderer’s rhythm, as well as the cynical musical expressions disclosing the faultiness of scientific reasoning and morality, symbolize the counteraction against the extreme social oppression. Moreover, the musical development, in which the chords symbolizing Wozzeck’s internal psychological nature transform into those symbolizing the destructive forces of external nature such as fire and earthquakes, points to how such an oppressive social circumstance can drive a man so far into a pathological state as to commit a crime and how such an internal experience can be projected on to an external experience of nature.

참고문헌 (Reference)

1 김미영, "게오르그 뷔히너의 드라마 보이체크〈Woyzeck〉와 알반 베르크의 오페라 보체크〈Wozzeck〉" 한국서양음악학회 9 (9): 43-74, 2006

2 Adorno, Theodor W, "Zur Charakteristik des Wozzeck. Gesammelte Schriften"

3 Yang, U-Tag, "Zum Zusammenhang von Natur, Gesellschaft und Identität im Werk Büchners, 뷔히너의 작품에서 자연, 사회, 아이덴티티의 관계" 한국뷔히너학회 (3) : 215-236, 1990

4 Petersen, Peter, "Musik-Konzepte Sonderband Alban Berg Wozzeck"

5 Lehmann, R. Werner, "Georg Büchner, Werke und Briefe"

6 Bruhn, Siglind, "Die musikalische Darstellung psychologischer Wirklichketi in Alban Berg Wozzeck"