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      SCOPUS KCI등재

      Performance Embodiment of Acrylic Material in Art Painting Creation

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      https://www.riss.kr/link?id=A107395950

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      다국어 초록 (Multilingual Abstract)

      In art painting creation, painting material is an important carrier. Acrylic as a young material has very wide applications in modern art. This study mainly analyzed the properties of acrylic material. Firstly, the emergence and development of acrylic...

      In art painting creation, painting material is an important carrier. Acrylic as a young material has very wide applications in modern art. This study mainly analyzed the properties of acrylic material. Firstly, the emergence and development of acrylic were introduced, and then its material characteristics were analyzed. Finally, the performance embodiment of acrylic paintings was compared with oil paintings and watercolor paintings. It was found that acrylic paintings not only had some advantages of oil and watercolor paintings but also had own style characteristics; acrylic paintings also have advantages in durability and flexibility; acrylic paintings could present the characteristics that oil and watercolor paintings did not have while realizing the techniques of them. Acrylic paintings have a broad development space in art creation, which is worth further attention and promotion.

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      참고문헌 (Reference)

      1 Hagan, E. W. S., "The effects of strain rate and temperature on commercial acrylic artist paints aged one year to decades" 121 : 823-, 2015

      2 Bell, T. J., "Phase diagrams for HEUR-thickened acrylic paint systems" 12 : 32-, 2015

      3 González-Gutiérrez, J, "Pattern formation by droplet evaporation and imbibition in watercolor paintings"

      4 Higgins, G, "Painting birds in acrylic, and getting it right!" 23 : 40-, 2007

      5 Yu, L., "Painting Practical Support: A Study about the Usage of Painting Materials in Children’s Painting Works" 9 : 1-, 2020

      6 Enescu, A, "Mural painting in maramureș by Anca Bratu:A comprehensive study of religious visuality in the 18th and 19th centuries northern transylvania" 2 : 81-, 2019

      7 Pelosi, C., "Micro-Raman and Micro-Stratigraphic Analysis of the Painting Materials in the Rock-Hewn Church of the Forty Martyrs in ahinefendi, Cappadocia (Turkey)" 58 : 659-, 2016

      8 Amadori, M. L., "Lorenzo Lotto’s painting materials: an integrated diagnostic approach" 2016

      9 Dussart, F, "Fora of identity: from public ceremonies through acrylic painting to evangelical preaching"

      10 Myers, F, "Emplacement and displacement: perceiving the landscape through aboriginal australian acrylic painting" 78 : 435-, 2013

      1 Hagan, E. W. S., "The effects of strain rate and temperature on commercial acrylic artist paints aged one year to decades" 121 : 823-, 2015

      2 Bell, T. J., "Phase diagrams for HEUR-thickened acrylic paint systems" 12 : 32-, 2015

      3 González-Gutiérrez, J, "Pattern formation by droplet evaporation and imbibition in watercolor paintings"

      4 Higgins, G, "Painting birds in acrylic, and getting it right!" 23 : 40-, 2007

      5 Yu, L., "Painting Practical Support: A Study about the Usage of Painting Materials in Children’s Painting Works" 9 : 1-, 2020

      6 Enescu, A, "Mural painting in maramureș by Anca Bratu:A comprehensive study of religious visuality in the 18th and 19th centuries northern transylvania" 2 : 81-, 2019

      7 Pelosi, C., "Micro-Raman and Micro-Stratigraphic Analysis of the Painting Materials in the Rock-Hewn Church of the Forty Martyrs in ahinefendi, Cappadocia (Turkey)" 58 : 659-, 2016

      8 Amadori, M. L., "Lorenzo Lotto’s painting materials: an integrated diagnostic approach" 2016

      9 Dussart, F, "Fora of identity: from public ceremonies through acrylic painting to evangelical preaching"

      10 Myers, F, "Emplacement and displacement: perceiving the landscape through aboriginal australian acrylic painting" 78 : 435-, 2013

      11 Kondzhov, T, "Economic Analysis of The Market Of Paintings (Oil Painting). Yearbook of St Kliment Ohridski University of Sofia"

      12 Li, P, "Diversity of aesthetic features of contemporary watercolor painting based on big data analysis" 1574 : 012099-, 2020

      13 Yi, L. J, "Discussion on the painting language of acrylic material in modern painting"

      14 Trachtenberg, A., "Colorimetric analysis of painting materials using polymer-supported polydiacetylene films" 11 : 9054-, 2016

      15 Bauer, P., "Characterization of Odorous and Potentially Harmful Substances in Artists' Acrylic Paint" 6 : 350-, 2018

      16 Ormsby, B., "CHAPTER 25: John Hoyland: A British Master of Acrylic Painting" 2014

      17 Zetina, S., "CHAPTER 20. Painting with Acrylics: José Gutiérrez, Gunther Gerzso and the Material Innovation in Mexican Contemporary Painting"

      18 Lombardo, D., "Acrylic painting step-by-step" 135 : 105-, 2010

      19 Magrini, D., "A multi-analytical approach for the characterization of wall painting materials on contemporary buildings. Spectrochim" 173 : 39-, 2017

      20 Smithen, P, "A history of the treatment of acrylic painting" 165-, 2007

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      유사연구자 (20) 활용도상위20명

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가예정 해외DB학술지평가 신청대상 (해외등재 학술지 평가)
      2020-01-01 평가 등재학술지 유지 (해외등재 학술지 평가) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2002-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.21 0.21 0.18
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.18 0.14 0.364 0.05
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