The media in Britain : current debates and developments

목차 (Table of Contents)

• CONTENTS
• List of Figures = xiii
• List of Tables = xiv
• Acknowledgements = xvi
• Notes on Contributors = xvii
• Introduction / Jane Stokes = xx
• PART Ⅰ The Structure of British Media Industries / Jane Stokes = 1
• 1. Publishing / Jand stokes = 10
• The British Publishing Houses = 12
• The British Bookshop = 16
• British Periodical Publishing = 19
• References = 23
• 2. Advertising / Peter Meech = 25
• Advertising's Recent Past = 25
• The Business of Advertising = 27
• Regulating Advertising = 29
• The Media and Advertising = 31
• Postscript = 39
• References = 39
• 3. The Press / Colin sparks = 41
• The Press Market = 42
• A Competitive Market = 46
• A Stratified Market = 50
• A Declining Market? = 54
• Conclusions = 58
• References = 59
• 4. Broadcasting : Television and Radio / Andrew Crisell = 61
• 'A High Democratic Purpose' : The Idea of Public Service Broadcasting = 61
• New Technologies and the Beginnings of Deregulation = 62
• Riding the Tiger : the search for a New Political Framework = 65
• Lend Me Your Ears : the Situation of Radio = 66
• Television's Beckoning Digits = 67
• What will Become of Auntie? : the Future of the BBC = 68
• Some Other Developments and Dilemmas = 70
• References = 72
• 5. Cinema / John Hill = 74
• A British Cinema Revival? = 74
• The Power of Hollywood = 76
• The Weaknesses of British Cinema = 79
• British Film Production = 84
• Conclusion = 86
• References = 86
• 6. The Music Industry / Paul McDonald = 88
• The UK Music Market = 89
• Music Online = 98
• Piracy = 101
• Conclusion = 104
• References = 105
• 7. New Media / Jamcs Cornford ; Kevin Robins = 108
• New Media - What's New? = 108
• New Media Order? = 111
• New Media in Britain = 116
• The Novelty of New Media = 123
• References = 124
• PART Ⅱ Regulation and Media Policy / Anna Reading = 127
• 8 The Role of the State / Peter Goodwin = 130
• Broadcasting as the Extreme Case = 130
• The British Case = 132
• Forces for Change = 132
• The Thatcherite 'Project' = 133
• Channel 4, Cable and Satellite = 134
• Lessons from the Early Thatcher Years = 135
• Lessons from Thatcher's Middle Years = 136
• Problems for the Reform = 137
• Lessons From the Early 1990s = 138
• The State and the Digital Future = 139
• All Change with New Labour? = 141
• References = 141
• 9 The Regulation of Media Content / Julian Petley = 143
• Libel = 145
• Prior Restraint = 146
• Breach of Confidence = 147
• Restrictions on Broadcasters = 149
• Press Regulation = 154
• References = 156
• 10 European Union Media and Communication / Richard Collins = 158
• Telecommunications = 159
• Television = 160
• The Roots of Liberalization = 161
• Public Service Broadcasting = 161
• European Content on European Screens = 162
• European Culture and Identity = 164
• European Culture = 165
• The Prognosis for European Communications Policy = 166
• References = 167
• 11 Campaigns to Change the Media / Anna Reading = 170
• The Moralizers = 174
• The Sharers = 176
• The Includers = 178
• Concluding Remarks = 180
• References = 181
• PART Ⅲ Media Material : Content and representation / Jane Stokes ; Anna Reading = 185
• 12 Ethnic Minorities and the British News Media : Explaining (Mis)Representation / Simon Cottle = 191
• Journalist and Proprietor Prejudice = 194
• Social Composition and Journalist Training = 195
• Competition and Marketplace Pressures = 196
• Bureaucratic Organization = 196
• Deep-seated 'News Values' = 197
• Culture and Cultural Discourses = 197
• News Genres and News Conventions = 198
• Conclusion = 198
• References = 199
• 13 Documentary and Citizenship : The Case of Stephen Lawrence / Jenny Owen = 201
• TV Documentary and citizenship = 203
• Analysing the Text = 205
• Conclusion = 207
• References = 207
• 14 Use it or Lose it : Sex, Sexuality and Sexual Health in Magazines for Girls / Jane Stokes = 209
• A Brief History of Sex in Magazines for Girls and Young Women = 210
• Content Analysis = 212
• Featuring Sex = 215
• Other Sexual Content = 216
• Conclusion = 217
• References = 217
• 15 Transnational Trainspotting / Murray Smith = 210
• The Lure of America = 220
• Selling Scotland by the Pound = 222
• Black Magic Realism = 224
• References = 226
• 16 Offending, Looking, Killing and Film-making : Decoding Peeping Tom / Ben Slater = 228
• Opening Sequence = 228
• An Assault on Culture = 228
• The Plot = 230
• Mark Lewis = 230
• The Look = 231
• Film-making／Serial Killing = 232
• The Back of the Culture = 233
• References = 235
• 17 A Postmodernist Calls : Class, Conscience and the British Theatre / Aleks Sierz = 236
• Drawing-room Politics = 237
• Expressions of Style = 239
• Scenes of Conflict = 240
• Postmodern Populism = 242
• Conclusion = 243
• References = 244
• 18 Drama, Devolution and Dominant Representations / Jane sillars = 246
• TV Institutions, Political Culture and National Identity = 246
• Television Drama and Identity = 249
• Conclusion = 252
• References = 253
• 19 Consuming the Garden : Locating a Feminine Narrative Within Popular Cultural Texts and Gendered Genres / Jacqui Gabb = 255
• The Perennial Soap Opera = 257
• Authority and the Anchor-man = 257
• Transformations of Gender = 259
• Spectacular Identifications = 260
• Imagining the Female Narrative = 262
• References = 263
• 20 Selling Sexuality in the Lesbian and Gay Press / Anna Reading = 265
• Sexuality and Gender = 266
• Selling Homosexuality : From Newsletter to High Street References = 267
• References = 271
• 21 Hanif Kureishi and the Politics of Cultural Hybridity / Bart Moore-Gilbert = 273
• References = 280
• 22 Blind Date and the Phenomenology of Fun / Paddy Scannell = 282
• The Care-structure of Blind Date = 282
• The Social Relations of Blind Date = 285
• Game for a Laugh = 286
• Conclusion = 288
• References = 288
• 23 Di／Crash / Jay Russell = 289
• References = 294
• 24 Ethic Identity and Cultural Heritage : Belsen in the Museum / Ricbard Crownshaw = 295
• Introduction : 'The Texture of Memory' = 295
• Holocaust Memory and the Idea of Britishness = 296
• Reading the Imperial War Museum's Holocaust Exhibition = 297
• Accounting for Spectatorship in the Museum = 300
• Conclusion : Witnessing Ethnic Difference in th Museum = 302
• References = 302
• 25 Spinnin' : Dance Culture on the World Wide Web / Hillegonda C. Rietveld = 304
• References = 312
• Index = 314