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1 J. Burgess, "YouTube: Online Video and Participatory Culture" Polity 2008
2 T. Gillespie, "Wired Shut: Copyright and the Shape of Digital Culture" MIT Press 2007
3 M. Peitz, "Why the Music Industry May Gain from Free Downloading-The Role of Sampling" 24 : 907-913, 2006
4 D. Chaney, "What Future for Fan-Funded Labels in the Music Recording Industry? The Cases of MyMajorCompany and ArtistShare" 12 : 44-48, 2010
5 J. Hughes, "Transmutability: Digital Decontextualization, Manipulation, and Recontextualization as a New Source of Value in the Production and Consumption of Cultural Production" 2006
6 Y. Benkler, "The Wealth of Networks: How Social Production Transforms Markets and Freedom" Yale University Press 2006
7 R. Boynton, "The Tyranny of Copyright?" The New York Times
8 J. Boyle, "The Public Domain: Enclosing the Commons of the Mind" Yale University Press 2008
9 D. Arditi, "The New Distribution Oligopoly : Beats, iTunes, and Digital Music Distribution" 10 : 1-10, 2015
10 The Independent, "The Music Industry’s Future May Not Depend on Charging for Songs" The Independent
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