자연-인간-기술, 혼성적 예술 주체성에 관한 연구 = 기술적 대상의 자기-조직화를 중심으로

목차 (Table of Contents)

• 1. 서론
• 2. 본론
• 3. 결론
• 참고문헌
• 【초록】
• 〈Abstract〉

참고문헌 (Reference)

1 주광순, "아리스토텔레스의 기술 개념" 대동철학회 (30) : 205-231, 2005

2 김재희, "시몽동의 기술철학" 아카넷 22-, 2017

3 유원준, "매체 예술의 탈전유적 시/공간성 연구" 서양미술사학회 (44) : 259-278, 2016

4 질베르트 시몽동, "기술적 대상들의 존재 양식에 대하여" 그린비 10-11, 2011

5 "[과학백과사전] 형질도입(形質導入, transduction)"

6 "Transduction From Wikipedia, the free encyclopedia"

7 Norbert Wiener, "The Human Use of Human Beings : Cybernetics and Society" Houghton-Mifflin 15-, 1950

8 Bernard Stiegler, "Techniques and Time, Vol.1" Stanford University Press 152-153, 1998

9 N. Katherine Hales, "How we became Posthuman" The University of Chicago Press 2-3, 1999

10 Donna Haraway, "Haraway Reader" Routledge 35-, 2004

11 "Generative Art from wikipedia, the free encyclopedia"

12 Eduardo Kac, "Foundation and Development of Robotic Art" College Art Association 56 (56): 62-, 1997

13 Bernadette Wegenstein, "Critical Terms of Media Studies" The University of Chicago 52-, 2010

14 "Corpora in Si(gh)te　doubleNegatives Architecture"

15 Guang-Dah Chen, "Chih-Wei Lin, and Hsi-Wen Fan, “The History and Evolution of Kinetic Art" 5 (5): 2015

16 Ahmed Elgammal, "CAN: Creative Adversarial Networks Generating “Art” by Learning About Styles and Deviating from Style Norms" 10-11, 2017

17 Thomas S. Ray, "An Evolutionary Approach to Synthetic Biology : Zen and the Art of Creating Life" 1 (1): 200-, 1994

18 "AI Creates Art That Critics Can’t Distinguish From Human-Created Work"

19 "AI Can Now Produce Better Art Than Humans. Here’s How"