오페라 <애스터(Asters, 紫苑物語)>를 통해 본 일본오페라의 새로운 방향성 = The new directivity of Japanese opera seen through the opera “Asters”

다국어 초록 (Multilingual Abstract)

This study attempted to examine the direction of contemporary Japanese operas through the example of the opera “Asters(紫苑物語)”. Ambivalent and superimposed directions, the internal orientation of Western modernization through opera and the external orientation for globalization of traditional Japanese culture coexist in Japanese opera. The Japanese Opera “Asters”, which premiered at the New National Theater, Tokyo (NNTT) in Japan in 2019, is the first work in the series “Japanese Opera to Be Presented on the World Stage”. The researcher received an official invitation from the NNTT and attended the premiere and meetings. Accordingly, field studies and interviews were conducted along with a review of literature and performance records on Japanese opera. The reasons why “Asters” is considered an advanced achievement of Japanese opera can be found in three aspects: material selection, overlapping of composition, and musical progress. Among them, overlapping, which has brought about universal problems with traditional materials, can be seen as the most important success factor.
As a Japanese opera, the individuality and universality that can be used globally, the overlapping that maintains the form of these two elements, can be understood as a new directivity of the Japanese opera. These results are expected to be meaningfully applied to the creation and direction setting of Korean opera that have many similarities as performing arts content in East Asia.

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