네오리만 이론의 헥사토닉 시스템을 적용한 분석 연구 = A Study for Hexatonic System Based on Neo-Riemannian Theory

다국어 초록 (Multilingual Abstract)

The present study explores chromatic chord progressions and chromatic modulations in triads in tonal works. It consists of two parts: in the first part the main focus is on the historical background and basic theoretical concepts of neo-Riemannian Transformation Theory. In the second the study is analyzing Chopin’s Ballade, Op. 47 in the viewpoint of harmonic circles on regular patterns of the transformation called Hexatonic System based on neo-Riemannian theory.

Chromatic harmonic progressions are frequently appeared in the 19th-century music, but many of them are ambiguous when we analyze them. By using neo-Riemannian theory, the study can present more logical analysis than the conventional one. The logical analysis of the ‘common tone relation’ on neo-Riemannian theory will offer to reveal the relations among chromatic chord progressions.

다국어 초록 (Multilingual Abstract)

The present study explores chromatic chord progressions and chromatic modulations in triads in tonal works. It consists of two parts: in the first part the main focus is on the historical background and basic theoretical concepts of neo-Riemannian Transformation Theory. In the second the study is analyzing Chopin’s Ballade, Op. 47 in the viewpoint of harmonic circles on regular patterns of the transformation called Hexatonic System based on neo-Riemannian theory.

Chromatic harmonic progressions are frequently appeared in the 19th-century music, but many of them are ambiguous when we analyze them. By using neo-Riemannian theory, the study can present more logical analysis than the conventional one. The logical analysis of the ‘common tone relation’ on neo-Riemannian theory will offer to reveal the relations among chromatic chord progressions.

참고문헌 (Reference)

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7 송무경, "연주자를 위한 조성음악분석 1, 2" 예솔 2004

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10 김규태, "네오리만 변형이론에 관한 문헌연구: 재현, 집중, 그리고 전환의 단계적 접근"

11 안소영, "네오리만 변형이론" 21세기악회 (3) :

12 Jack Douthett, "Parsimonious Graphs" 42 (42): 241-263, 1998

13 Cohn, Richard, "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representation" 41 (41): 1-66, 1997

14 Cohn, Richard, "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions" 15 (15): 9-40, 1996

15 Cohn, Richard, "Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective" 42 (42): 167-180, 1998

16 Lewin, David, "Generalized Musical Intervals and transformation" University Press 1987