포스트휴머니즘으로서의 바이오아트－<대전비엔날레 2018: 바이오>의 작품 분석을 중심으로 = Bio-art as Post-humanism: Centering on the Analysis of Artworks in <DAEJEON Biennale 2018: BIO>

다국어 초록 (Multilingual Abstract)

This study examined the characteristics of bio-artworks in <Daejeon Biennale 2018: Bio> in order to consider the discourses on humans and life in the present era. <Daejeon Biennale 2018: Bio> deals with questions about the categories of a human and life by extending them to the philosophical and artistic domain, not just the biological domain. The theme “Bio” was divided into four subthemes: Bio Media, Dream of Eternal Youth, Digital Biology, and Men of Anthropocene. It can be connected to the post-human discourse in that it not only attempts to converge art, science, and technology but also explored the external and intrinsic aspects of a new human and life. Therefore, this study looked into the works of <Daejeon Biennale 2018: Bio> in terms of the use of bio-media and the creation of bio-issues and explored its identity in terms of post-humanism. This was to confirm that the goal of bio-art is to discover the possibility of a new human and life in connection with post-humanism. It is also connected with beyond-humanism or anti-humanism, which escapes or rejects the conditions of a traditional human and life. It is confirmed in various ways in bio-artworks of <Daejeon Biennale 2018: Bio>, which implies the emergence of new human species and life species.

참고문헌 (Reference)

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