It is no longer an exaggeration to state that recently a word ‘transnational /global’ has replaced ‘post-modern’ to become the most dominant and controversial discourse in the field of historiography as well as among social scientists. This ar...

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https://www.riss.kr/link?id=A60126734
육영수 (중앙대학교)
2012
Korean
학술저널
53-73(21쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
It is no longer an exaggeration to state that recently a word ‘transnational /global’ has replaced ‘post-modern’ to become the most dominant and controversial discourse in the field of historiography as well as among social scientists. This ar...
It is no longer an exaggeration to state that recently a word ‘transnational /global’ has replaced ‘post-modern’ to become the most dominant and controversial discourse in the field of historiography as well as among social scientists. This article intends to explore theoretically the (im)possibility of re/over-writing an alternative mode of intellectual history, which Criticizes the linit and danger of Eurocentric mode of thinking and which is in tune with transnational dimensions and perspectives. After critical examination of what Arif Dirlik, Michel-Ralph Trouillot, Ranajit Guha, and Susan Buck-Morss have insisted respectively concerning a new and ideal model of world/universal history, the author Proposes two paths that may lead intellectual historians beyond the hegemonic territory of Euro/Western-centricism: 1) intellectual historians in a global age is required to be sensitive enough to detect a story of intellectual interaction and intercourse which had taken place at ‘contact zone’ of different societies, cultures, nations, and/or civilizations; 2) intellectual historians of the third world, in particular, should learn and practise how to stand on their head and hands to disturb the fundamentals of imperial cosmopolitanism and thus to re-erect the distorted facade of ‘local cosmopolitanism.
목차 (Table of Contents)
탈민족 담론으로 본 유대적 정체성 : 이삭 바벨의 문학세계를 중심으로
냉전이 선택한 “유럽의 아버지” 장 모네(Jean Monnet)
전쟁 영화 다시 읽기 : <서부 전선 이상 없다>에 나타난 전쟁의 재현과 반전(反戰)의 미학
제2차 세계대전과 소련 - 동유럽 유대인 : 반-나치 투쟁과 반유대주의 사이에서