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    18세기 일본 전다도(煎茶圖)를 통해 본 차문화의 양상 = Aspects and Development of Sencha Culture Depicted In the Japanese Paintings of Eighteenth Century

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    https://www.riss.kr/link?id=A100790340

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study analyzed the characteristics of tea culture depicted in the Japanese paintings of the eighteenth century. A total of 32 paintings drawn by 10 painters in the mid-Edo period were used. The results focusing mostly on literati paintings were as follows. First, the central figures preparing tea were Baisao and Dadong. Baisao, a Zen Buddhist monk, prepared tea to sell as part of being self-sufficient and Zen meditation. On the other hand, a young boy called Dadong with hair in two topknots was mostly in charge of preparing tea in front of the tea stove. Second, the space for tea culture was located mainly outdoors, such as a mountain and valleys, a private garden, and even a boat. The space performed functions for male-centered literary activities, elegant accomplishments, and retirement to the hermitage in nature. Third, tea kettles and tea stoves among tea utensils were depicted the most in the paintings. In particular, a tea kettle with a handle beside showed the typical shape of all tea kettles. Fourth, the method for brewing tea consisted originally of using a teakettle and a teapot separately. However, few teapots were depicted in contrast to a number of tea kettles shown. This suggests that in that age, the method for preparing tea was to boil leaf tea rather than brew.
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    This study analyzed the characteristics of tea culture depicted in the Japanese paintings of the eighteenth century. A total of 32 paintings drawn by 10 painters in the mid-Edo period were used. The results focusing mostly on literati paintings were a...

    This study analyzed the characteristics of tea culture depicted in the Japanese paintings of the eighteenth century. A total of 32 paintings drawn by 10 painters in the mid-Edo period were used. The results focusing mostly on literati paintings were as follows. First, the central figures preparing tea were Baisao and Dadong. Baisao, a Zen Buddhist monk, prepared tea to sell as part of being self-sufficient and Zen meditation. On the other hand, a young boy called Dadong with hair in two topknots was mostly in charge of preparing tea in front of the tea stove. Second, the space for tea culture was located mainly outdoors, such as a mountain and valleys, a private garden, and even a boat. The space performed functions for male-centered literary activities, elegant accomplishments, and retirement to the hermitage in nature. Third, tea kettles and tea stoves among tea utensils were depicted the most in the paintings. In particular, a tea kettle with a handle beside showed the typical shape of all tea kettles. Fourth, the method for brewing tea consisted originally of using a teakettle and a teapot separately. However, few teapots were depicted in contrast to a number of tea kettles shown. This suggests that in that age, the method for preparing tea was to boil leaf tea rather than brew.

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    목차 (Table of Contents)

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    참고문헌 (Reference)

    1 고연미, "일본 중세 賣茶圖의 찻집문화 고찰" 2 : 96-97, 2010

    2 박윤희, "이케노타이가의 문인화에 대한 이해와 실제" 한국미술사학회 (255) : 134-149, 2007

    3 고연미, "에도시대 바이사오 고유가이[賣茶翁 高遊外]의 賣茶의 의미와 형태" 한국차학회 17 (17): 31-47, 2011

    4 김영남, "기무라 켄카도의 繪畵 硏究" 21 : 118-, 2007

    5 板橋區立鄕土資料館, "長崎唐人貿易と煎茶道" 板橋區立 鄕土資料館 60-, 1996

    6 中野三敏, "近世畸人傳" 中央公論新社 102-, 2005

    7 淡川 康一, "賣茶翁集成" 主婦の友社 67-, 1975

    8 木村孔陽, "賣茶翁茶器圖" 6 : 1823

    9 田中新一, "賣茶翁をもっと知ろう" ミズカミ 41-42, 2010

    10 佐賀縣立博物館, "賣茶翁-禪と茶のこころ" 佐賀縣立博物館 106-, 1983

    1 고연미, "일본 중세 賣茶圖의 찻집문화 고찰" 2 : 96-97, 2010

    2 박윤희, "이케노타이가의 문인화에 대한 이해와 실제" 한국미술사학회 (255) : 134-149, 2007

    3 고연미, "에도시대 바이사오 고유가이[賣茶翁 高遊外]의 賣茶의 의미와 형태" 한국차학회 17 (17): 31-47, 2011

    4 김영남, "기무라 켄카도의 繪畵 硏究" 21 : 118-, 2007

    5 板橋區立鄕土資料館, "長崎唐人貿易と煎茶道" 板橋區立 鄕土資料館 60-, 1996

    6 中野三敏, "近世畸人傳" 中央公論新社 102-, 2005

    7 淡川 康一, "賣茶翁集成" 主婦の友社 67-, 1975

    8 木村孔陽, "賣茶翁茶器圖" 6 : 1823

    9 田中新一, "賣茶翁をもっと知ろう" ミズカミ 41-42, 2010

    10 佐賀縣立博物館, "賣茶翁-禪と茶のこころ" 佐賀縣立博物館 106-, 1983

    11 筒井紘一 監修, "茶の湯繪畫資料集成" 平凡社 174-, 1992

    12 방병선, "茶 즐거움을 마시다" 경기도박물관 292-293, 2014

    13 京都府立丹後鄕土資料館, "與謝蕪村と丹後" 京都府立丹後鄕土資料館 7-8, 1994

    14 吉澤 忠, "總論. 水墨美術大系 別卷第 1 日本の南畵" 講談社 39-40, 1976

    15 大和文華館, "特別展沒後二百年記念 與謝蕪村名作展" 大和文華館 85-, 1983

    16 大槻幹郎, "煎茶文化考" 思文閣出版 16-, 2004

    17 小川後樂, "煎茶器の基礎知識" 光村推古書院 96-, 1986

    18 煎茶文化硏究會, "煎茶の世界" d雄山閣 28-, 1998

    19 鄭麗芸, "池大雅の 竹里館図をめぐって-文人畵の 日本的 受容-" 1174 : 17-, 1993

    20 鈴木 進, "池大雅" 集英社 136-137, 1979

    21 中村眞一郞, "木村蒹葭堂のサロン" 新潮社 586-, 2000

    22 大阪歷史博物館, "木村蒹葭堂 : なにわ知の巨人" 大阪歷史博物館 173-176, 2003

    23 大石貞男, "日本茶業發達史" 農文協 286-, 2004

    24 佐々木丞平, "日本美術全集 第24卷 文人畵と寫生畵" 學習硏究社 191-194, 1979

    25 佐々木丞平, "日本美術全集 第24卷 文人畵と寫生畫" 學習硏究社 138-, 1979

    26 桑山玉洲, "日本畵談大觀" 目白書院 108-, 1917

    27 吉澤 忠, "日本屛風繪集成 第3卷 南畵山水" 講錟社 138-145, 1979

    28 楢林忠南, "日本の茶書 2" 平凡社 205-206, 1979

    29 靜嘉堂文庫美術館, "日本の文人畵展 II" 靜嘉堂文庫美術館 12-, 1996

    30 黑田泰三, "日本の文人畵をめぐって. 文人畵展" 出光美術館 6-, 1996

    31 武田光一, "日本の南畵" 東信堂 47-, 1993

    32 熊倉功夫, "日本における煎茶文化の成立" 4 : 13-, 2002

    33 笠嶋忠辛, "文人たちの書藝. 文人畵展" 出光美術館 12-, 1996

    34 黃鳳池 編, "唐詩畵譜" 山東畵報出版社 64-65, 2004

    35 相賀徹夫 編, "名寶日本美術 24 大雅․応挙" 小學館 54-, 1981

    36 吉澤 忠, "原色日本の美術 第19卷 南畵と寫生畵" 小學館 67-68, 1983

    37 高橋博巳, "京都藝苑のネットワーク" ぺりかん社 39-, 1988

    38 고연미, "18세기 조선 회화를 통해 본 차문화의 특성" 한국차학회 20 (20): 56-71, 2014

    39 大典顯常, "18세기 일본 지식인, 조선을 엿보다 : 萍遇錄" 성균관대출판부 205-, 2013

    40 고연미, "18세기 우키요에(浮世繪)를 통해 본 수차옥(水茶屋)의 특성" 한국차학회 20 (20): 14-29, 2014

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2016-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2015-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2013-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2012-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2011-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2010-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2009-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2008-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2006-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.34 0.34 0.34
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.32 0.33 0.561 0.28
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