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      바흐연구와 2020년을 맞는 한국음악학 안의 기억과 기록 = A Brief Report on Bach Scholarship and Musicology in Korea

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      다국어 초록 (Multilingual Abstract)

      This study traces various ways in which Western Bach scholarship has changed its aim, direction, and methodology for the last three decades, implicitly or explicitly, reflecting new criticism and attitude perceived in the studies of the Western musicology for the last couple of decades. It also illustrates that Bach scholarship in West has moved from the traditional source studies to the contextualized discussions in which Bach’s music is read in respect to the emergence of Postmodernism and even Globalization. Finally, this study turns its attention to Bach reception here in Korea, pointing out the critical and indigenous efforts to read Bach’s music given by Korean musicologists since 1980s. And this study argues that the kind of effort need to be carried out by our generation as well.
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      This study traces various ways in which Western Bach scholarship has changed its aim, direction, and methodology for the last three decades, implicitly or explicitly, reflecting new criticism and attitude perceived in the studies of the Western musico...

      This study traces various ways in which Western Bach scholarship has changed its aim, direction, and methodology for the last three decades, implicitly or explicitly, reflecting new criticism and attitude perceived in the studies of the Western musicology for the last couple of decades. It also illustrates that Bach scholarship in West has moved from the traditional source studies to the contextualized discussions in which Bach’s music is read in respect to the emergence of Postmodernism and even Globalization. Finally, this study turns its attention to Bach reception here in Korea, pointing out the critical and indigenous efforts to read Bach’s music given by Korean musicologists since 1980s. And this study argues that the kind of effort need to be carried out by our generation as well.

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      참고문헌 (Reference)

      1 이가영, "조셉 커만과 바흐연구" 한국서양음악학회 18 (18): 57-79, 2015

      2 이연재, "이젠 「한국적」음악의 모태 찾을 때"

      3 조셉 커먼, "음악을 생각한다: 음악학ㆍ음악이론ㆍ 음악철학의 역사" 궁리출판 2006

      4 이건용, "바흐 탄생 300주년을 어떻게 기념할 것인가" 226-228, 1985

      5 Heller, Wendy, "‘Aus eigener Erfahrung redet’: Bach, Luther, and Mary’s Voice in the Magnificat, BWV 243" 10 : 31-69, 2015

      6 Abbate, Carolyn, "Unsung Voices" Princeton University Press 1996

      7 Marshall, Robert, "Toward a Twenty-First-Century Bach Biography" 84 (84): 497-525, 2000

      8 Tomlinson, Gary, "The Web of Culture: A Context for Musicology" 7 (7): 350-362, 1984

      9 이가영, "The Role of the 12/8 Time Signature in J. S. Bach’s Sacred Vocal Music" University of Pittsburgh 2005

      10 Butt, John, "The Postmodern Mindset, Musicology and the Future of Bach Scholarship" 1 : 9-18, 2006

      1 이가영, "조셉 커만과 바흐연구" 한국서양음악학회 18 (18): 57-79, 2015

      2 이연재, "이젠 「한국적」음악의 모태 찾을 때"

      3 조셉 커먼, "음악을 생각한다: 음악학ㆍ음악이론ㆍ 음악철학의 역사" 궁리출판 2006

      4 이건용, "바흐 탄생 300주년을 어떻게 기념할 것인가" 226-228, 1985

      5 Heller, Wendy, "‘Aus eigener Erfahrung redet’: Bach, Luther, and Mary’s Voice in the Magnificat, BWV 243" 10 : 31-69, 2015

      6 Abbate, Carolyn, "Unsung Voices" Princeton University Press 1996

      7 Marshall, Robert, "Toward a Twenty-First-Century Bach Biography" 84 (84): 497-525, 2000

      8 Tomlinson, Gary, "The Web of Culture: A Context for Musicology" 7 (7): 350-362, 1984

      9 이가영, "The Role of the 12/8 Time Signature in J. S. Bach’s Sacred Vocal Music" University of Pittsburgh 2005

      10 Butt, John, "The Postmodern Mindset, Musicology and the Future of Bach Scholarship" 1 : 9-18, 2006

      11 Taruskin, Richard, "The Oxford History of Western Music" Oxford University Press 2005

      12 Kramer, Lawrence, "The Musicology of the Future" 1 (1): 5-18, 1989

      13 Marshall, Robert, "The Compositional Process of J. S. Bach: A Study of the Autograph Scores of the Vocal Works" Princeton University Press 1972

      14 Solie, Ruth A, "Musicology and Difference: Gender and Sexuality in Music Scholarship" University of California Press 1995

      15 McClary Susan, "Music and Society: The politics of composition, performance, and reception" Cambridge University Press 1987

      16 Treitler, Leo, "Music and Historical Imagination" Harvard University Press 1989

      17 Varwig, Bettina, "Metaphors of Time and Modernity in Bach" 29 (29): 154-190, 2012

      18 Wolff, Christoph, "Images of Bach in the Perspective of Basic Research and Interpretative Scholarship" 22 (22): 503-520, 2005

      19 McClary Susan, "Feminine Endings: Music, Gender, and Sexuality" University of Minnesota Press 1991

      20 White, Harry, "Evangelists of the postmodern: Reconfiguration of Bach since 1985" 12 : 85-107, 2017

      21 Varwig, Bettina, "Death and Life in J. S. Bach’s ”Ich habe genung”(BWV 82)" 135 (135): 315-356, 2010

      22 Kerman, Joseph, "Contemplating Music: Challenges to Musicology" Harvard University Press 1985

      23 Butt, John, "Bach’s Dialogue with Modernity: Perspectives of Passions" Cambridge University Press 2010

      24 이가영, "Bach tercentenary in Korea(1985): commemoration, recollection, and reflection" 4 : 2017

      25 Dreyfus, Laurence, "Bach and the Patterns of Invention" Harvard University Press 1996

      26 Marissen, Michael, "Bach & God" Oxford University Press 2016

      27 Melamed, Daniel R., "An Introduction to Bach Studies" Oxford University Press 1998

      28 McClary Susan, "A Musical Dialectic from the Enlightenment: Mozart’s Piano Concerto in G Major, K. 453" (4) : 129-169, 1986

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