1 이가영, "조셉 커만과 바흐연구" 한국서양음악학회 18 (18): 57-79, 2015
2 이연재, "이젠 「한국적」음악의 모태 찾을 때"
3 조셉 커먼, "음악을 생각한다: 음악학ㆍ음악이론ㆍ 음악철학의 역사" 궁리출판 2006
4 이건용, "바흐 탄생 300주년을 어떻게 기념할 것인가" 226-228, 1985
5 Heller, Wendy, "‘Aus eigener Erfahrung redet’: Bach, Luther, and Mary’s Voice in the Magnificat, BWV 243" 10 : 31-69, 2015
6 Abbate, Carolyn, "Unsung Voices" Princeton University Press 1996
7 Marshall, Robert, "Toward a Twenty-First-Century Bach Biography" 84 (84): 497-525, 2000
8 Tomlinson, Gary, "The Web of Culture: A Context for Musicology" 7 (7): 350-362, 1984
9 이가영, "The Role of the 12/8 Time Signature in J. S. Bach’s Sacred Vocal Music" University of Pittsburgh 2005
10 Butt, John, "The Postmodern Mindset, Musicology and the Future of Bach Scholarship" 1 : 9-18, 2006
1 이가영, "조셉 커만과 바흐연구" 한국서양음악학회 18 (18): 57-79, 2015
2 이연재, "이젠 「한국적」음악의 모태 찾을 때"
3 조셉 커먼, "음악을 생각한다: 음악학ㆍ음악이론ㆍ 음악철학의 역사" 궁리출판 2006
4 이건용, "바흐 탄생 300주년을 어떻게 기념할 것인가" 226-228, 1985
5 Heller, Wendy, "‘Aus eigener Erfahrung redet’: Bach, Luther, and Mary’s Voice in the Magnificat, BWV 243" 10 : 31-69, 2015
6 Abbate, Carolyn, "Unsung Voices" Princeton University Press 1996
7 Marshall, Robert, "Toward a Twenty-First-Century Bach Biography" 84 (84): 497-525, 2000
8 Tomlinson, Gary, "The Web of Culture: A Context for Musicology" 7 (7): 350-362, 1984
9 이가영, "The Role of the 12/8 Time Signature in J. S. Bach’s Sacred Vocal Music" University of Pittsburgh 2005
10 Butt, John, "The Postmodern Mindset, Musicology and the Future of Bach Scholarship" 1 : 9-18, 2006
11 Taruskin, Richard, "The Oxford History of Western Music" Oxford University Press 2005
12 Kramer, Lawrence, "The Musicology of the Future" 1 (1): 5-18, 1989
13 Marshall, Robert, "The Compositional Process of J. S. Bach: A Study of the Autograph Scores of the Vocal Works" Princeton University Press 1972
14 Solie, Ruth A, "Musicology and Difference: Gender and Sexuality in Music Scholarship" University of California Press 1995
15 McClary Susan, "Music and Society: The politics of composition, performance, and reception" Cambridge University Press 1987
16 Treitler, Leo, "Music and Historical Imagination" Harvard University Press 1989
17 Varwig, Bettina, "Metaphors of Time and Modernity in Bach" 29 (29): 154-190, 2012
18 Wolff, Christoph, "Images of Bach in the Perspective of Basic Research and Interpretative Scholarship" 22 (22): 503-520, 2005
19 McClary Susan, "Feminine Endings: Music, Gender, and Sexuality" University of Minnesota Press 1991
20 White, Harry, "Evangelists of the postmodern: Reconfiguration of Bach since 1985" 12 : 85-107, 2017
21 Varwig, Bettina, "Death and Life in J. S. Bach’s ”Ich habe genung”(BWV 82)" 135 (135): 315-356, 2010
22 Kerman, Joseph, "Contemplating Music: Challenges to Musicology" Harvard University Press 1985
23 Butt, John, "Bach’s Dialogue with Modernity: Perspectives of Passions" Cambridge University Press 2010
24 이가영, "Bach tercentenary in Korea(1985): commemoration, recollection, and reflection" 4 : 2017
25 Dreyfus, Laurence, "Bach and the Patterns of Invention" Harvard University Press 1996
26 Marissen, Michael, "Bach & God" Oxford University Press 2016
27 Melamed, Daniel R., "An Introduction to Bach Studies" Oxford University Press 1998
28 McClary Susan, "A Musical Dialectic from the Enlightenment: Mozart’s Piano Concerto in G Major, K. 453" (4) : 129-169, 1986