호머 헐버트(Homer B. Hulbert)가 기록한 구한말 서울의 음악문화 = Korean Folklore and Music before Westernization Written by Homer B. Hulbert Around 1900

다국어 초록 (Multilingual Abstract)

In the middle of 1880s, Korea started to open the gate to the western. Homer B. Hulbert(1863~1949) in his age of mid 20s came to visit Korea in 1886 as a English teacher of the nation first Royal English College. His first mission was teaching English to the future hierarchy of Korean government in national college, but he broadened his occupation in various field like Koreanology scholar, Seoul correspondent in American Newspaper, diplomat and a magazine publisher and editor. The most significant Hulbert＇s publication will be the book of Korean history The Passing of Korea(1906), and the main field of his research will be the Koreanology.
Most of his papers are published through the monthly magazine The Korean Repository and The Korea Review which was published by the Western missionaries in Seoul. Until now, Korean musicologist value of his paper ‘Korean vocal music’(1896) because of the significance of the music script of Korean folk song Arirang which was the first folk song written in western score. Also, scholars recently find out that the first Korean national anthem which was composed by the german composer Eckert was not composed by him but revised melody from Hulbert’s song Parami-Punda. Because of the significance of these scholastic finding, Hulbert’s research paper Korean Vocal Music regained attention from the Korean musicologist.
Homer Hulbert came to Korea when the westernization wave was just begun. It means that the relationships between cultural context and the musicing are still bonded strong. As a former Seoul correspondent and missionaries who conveyed the realities of Korean to the United States, he preserved the records in terms of conveying detailed information and respecting local culture, preserving the pre-western music culture and the way of existence in traditional society.
In this paper, we reviewed the existence of music related to the customs of traditional society and reconstructed the performance of music in the traditional society that has disappeared through Hulbert’s paper. It is a great achievement of this paper that we confirmed the archetypes before the decontextualization of traditional music, such as festival performances related to New Year's Day in Seoul, women's musical activities, and specific aspects related to shamanism.

다국어 초록 (Multilingual Abstract)

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참고문헌 (Reference)

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14 Emile Bourdaret, "대한제국 최후의 숨결" 글항아리 2009

15 Percival Lowell, "내 기억 속의 조선, 조선 사람들" 예담 2001

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20 "고종실록"

21 윤영해, "계정식 『한국음악』의 음악학적 의의 - 1930년대 독일 비교음악학계의 연구방법론을 중심으로－" 동양음악연구소 40 : 187-218, 2016

22 信夫淳平(시노부 쥰페이), "韓半島" 東京堂書店 1901

23 "閒雜遊戱"

24 "舍生何義"

25 "巫黨來歷"

26 Homer B. Hulbert, "The Passing of Korea" Doubleday, Page &Company 1906

27 Hulbert, Homer B, "The Korean Repository" Trilingual Press 1897

28 Hulbert, Homer B, "The Korean Repository" Trilingual Press 1896

29 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1903

30 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1903

31 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1903

32 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1903

33 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1903

34 Hulbert, Homer B, "The Korea Review" Methodist Publishing House), January 1902

35 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1902

36 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1902

37 Hulbert, Homer B, "The Korea Review" Methodist Publishing House 1901

38 Bishop, Isabella, "Korea and Her Neighbours" Fleming H. Revell Co 1897

39 Gottschewski, Hermann, "How a Sadangpae Song Became the First National Anthem of Korea: Homer B. Hulbert’s Transcription of “Param i punda” (1896), its Musicological Background and Historical Significance" 2014

40 권도희, "20세기 전반기 극장연희의 종목과 그 특징" 한국국악학회 47 : 21-47, 2010

41 정환희, "2012 국악기 연구 보고서" 국립국악원 2012

42 손태도, "19세기 광대 집단의 음악 문화" 동양음악연구소 24 : 91-130, 2002

43 유대안, "1896년 헐버트 채보 <아라릉(A-ra-rúng)>과 플레처 채록 <아라랑(Ar-ra-rang)>의 실상과 음악양상" 한국민요학회 44 (44): 103-134, 2015