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    바로크(Baroque) 양식 시대 서양 남성복에 나타난 남성의 몸 이미지 = Male Body Image Appearing on the Western Men`s Costume in the Baroque Era

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This research seeks to analyze western men`s costume in the Baroque era in relation to men`s physical beauty from its most detailed and interesting perspective to fomulate a plausible reasoning related to the aesthetic sense of body as expressed in men`s costume. This research used national and international books, theses and internet data upon which to base a literature review for a correct understanding of Baroque style and at the same time empirical research to analyze the body image expressed in men`s costume. The Baroque style expressed in the 17th century costume offered a dynamic feeling through wavy curves, and its brilliant and colorful decorations created a passionate and charming mood resembling a flame. Accordingly, this research studied the body image as it appeared in the form of 17th century western men`s costume by dividing it into the contact beauty of the human body and the manner of hiding the architectural beauty of the human body. First, the exposed silhouette by clothing coming into contact with the human body could be found mainly in upper-class men`s costume in the first half of the 17th century. The shorter and tighter doublets and knee breeches could be analyzed in terms of erotic imagery that emphasized masculinity, aristocratic imagery that stressed a distinctive status, and geometric imagery that expressed a triangular pattern. Second, the constructive expression by hiding the human body could be found in upper-class men`s costume starting in the mid-17 century. The wearing of the justaucorps could be studied in terms of how it came into contact with the beauty of the human body but also how this clothing style the hid the architectural beauty of human body.
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    This research seeks to analyze western men`s costume in the Baroque era in relation to men`s physical beauty from its most detailed and interesting perspective to fomulate a plausible reasoning related to the aesthetic sense of body as expressed in me...

    This research seeks to analyze western men`s costume in the Baroque era in relation to men`s physical beauty from its most detailed and interesting perspective to fomulate a plausible reasoning related to the aesthetic sense of body as expressed in men`s costume. This research used national and international books, theses and internet data upon which to base a literature review for a correct understanding of Baroque style and at the same time empirical research to analyze the body image expressed in men`s costume. The Baroque style expressed in the 17th century costume offered a dynamic feeling through wavy curves, and its brilliant and colorful decorations created a passionate and charming mood resembling a flame. Accordingly, this research studied the body image as it appeared in the form of 17th century western men`s costume by dividing it into the contact beauty of the human body and the manner of hiding the architectural beauty of the human body. First, the exposed silhouette by clothing coming into contact with the human body could be found mainly in upper-class men`s costume in the first half of the 17th century. The shorter and tighter doublets and knee breeches could be analyzed in terms of erotic imagery that emphasized masculinity, aristocratic imagery that stressed a distinctive status, and geometric imagery that expressed a triangular pattern. Second, the constructive expression by hiding the human body could be found in upper-class men`s costume starting in the mid-17 century. The wearing of the justaucorps could be studied in terms of how it came into contact with the beauty of the human body but also how this clothing style the hid the architectural beauty of human body.

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    참고문헌 (Reference)

    1 Boeln, Max von, "패션의 역사 1" 한길아트 2004

    2 Black, J. Anderson, "패션의 역사 (하 )" PARCO 1985

    3 Lehnert,Gertrud, "패션" 예경 2005

    4 김상훈, "통세계사" 에듀 2009

    5 Stricland,Carol, "클릭 , 서양미술사" 예경 2000

    6 채금석, "세계패션의 흐름" 지구문화사 2007

    7 Black, J. Anderson, "세계 패션사 1. 개정판" 자작아카데미 1997

    8 차하순, "서양사총론" 탐구당 1992

    9 신상옥, "서양복식사" 수학사 2006

    10 이영환, "서양미술사" 박영사 1979

    1 Boeln, Max von, "패션의 역사 1" 한길아트 2004

    2 Black, J. Anderson, "패션의 역사 (하 )" PARCO 1985

    3 Lehnert,Gertrud, "패션" 예경 2005

    4 김상훈, "통세계사" 에듀 2009

    5 Stricland,Carol, "클릭 , 서양미술사" 예경 2000

    6 채금석, "세계패션의 흐름" 지구문화사 2007

    7 Black, J. Anderson, "세계 패션사 1. 개정판" 자작아카데미 1997

    8 차하순, "서양사총론" 탐구당 1992

    9 신상옥, "서양복식사" 수학사 2006

    10 이영환, "서양미술사" 박영사 1979

    11 윤정섭, "서양건축사" 지문당 1981

    12 김홍섭, "새롭게 읽는 유럽미술사" 도서출판 이유 2003

    13 Delouche, Frederic, "새 유럽의 역사" 도서출판 까치 1995

    14 장성은, "뵐플린의 양식사적 관점에서 르네상스와 바로크 복식의 양식비교" 한국복식학회 57 (57): 15-29, 2007

    15 신주영, "복식에 표현된 시대적 이상미" 한국복식학회 58 (58): 131-148, 2008

    16 김민자, "복식미학강의 2" 교문사 2004

    17 NAVER 백과사전, "바로크"

    18 이경성, "미술이란 무엇인가" 일지사 1981

    19 NAVER 용어사전, "랭그라브"

    20 이미선, "남성의 몸과 패션에 표현된 미적 이미지(1)" 51 (51): 2001

    21 최해주, "고대 서양복식의 표현양식에 관한 연구" 한국기초조형학회 5 (5): 273-282, 2004

    22 元井能, "西洋被服文化史" 光生館 1979

    23 高階秀, "西洋美術史" 美術出版社 1991

    24 菅原珠, "西洋服飾史" 朝倉書店 1996

    25 原田二郞, "西洋服裝史" 原流社 1976

    26 谷田閱次, "服飾美學" 光生館 1981

    27 鷹可綸, "服裝文化史" 朝倉書店 1991

    28 Alain, "幸福論" 東西文化社 1977

    29 Jackson,H.W, "The History of Art" 三省出版社 1978

    30 Cosgrave,Bronwyn, "The Complete History of Costume & Fashion" Checkmark 2000

    31 千村典生, "History of Fashion" 平凡社 2003

    32 Payne,Blanche, "History of Costume" Harper & Row 1965

    33 Nunn,John, "Fashion in Costume 1200~ 2000" New Amsterdam Books 2000

    34 Russell, Douglas A, "Costume and Style" Prentice Hall 1983

    35 Laver, James, "Costume & Fashion" Thames & Hudson 1995

    36 Boucher,Francois, "A History of Costume in the West" Thames & Hudson 1987

    37 김양희, "17세기말-18세기말 프랑스 남자 쥐스또꼬르 유형변화와 패턴제작 연구" 한국복식학회 59 (59): 49-65, 2009

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2018-12-01 등재 등재후보로 하락 (계속평가) KCI등재후보
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2001-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.63 0.63 0.58
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.55 0.58 0.71 0.12
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