This study examines the representation of female characters in Mother(2009), focusing on figures who deviate from socially accepted ideals of femininity-such as a widow, a senile grandmother, a high school sex worker, an infertile woman, and a disable...
This study examines the representation of female characters in Mother(2009), focusing on figures who deviate from socially accepted ideals of femininity-such as a widow, a senile grandmother, a high school sex worker, an infertile woman, and a disabled individual. It explores the concept of the grotesque as theorized in both Western and Eastern traditions, and highlights how these portrayals are rooted in specific socio-cultural contexts. Drawing on prior research that connects grotesque aesthetics and femininity, this paper closely analyzes the characters of Ah-jung, a high school girl, and her grandmother. In Korea, the grotesque has been shaped by the influence of Japan’s sex-entertainment culture and was introduced in the form of ‘ero-gro-nonsense’-a hybrid of eroticism, grotesquery, and absurdity. This uniquely Korean interpretation of the grotesque is distinctly embodied in the character portrayals within Mother.