「남훈태평가」소재 시조의 종장 구성상의 특징과 그 의미 = The Structural Feature and Significance of the Last Parts of Shijos in <NAM-HUN TAE PYUNG KA>

다국어 초록 (Multilingual Abstract)

Because setting up the phase of <NAM-HUN THE PYUNG KA> is very important in the development process of 19Cs history shijo, it is also significant for understanding of the history of Shijo of its days to find the linking device through concrete indications of works in the tastes of this field and the motive which brought changes of such tastes as well.
In this thesis, I focus on the characteristics that show structural uniqueness of the last parts of Shijo in <NAM-HUN TAE PYUNG KA>; (1) Completion of dialogical atmosphere by application of rhetoric of calling names (2) The nature of conclusion of the last clause expressed dialogically (3) Positive use of Chinese characters and declaration of dialect.
Those characteristics are combined to ellipses of the last parts in singing Shijos unlike singing ariettas. That is, the process of looking for their own tastes with Shijo getting out of negative attitude of ellipses of the last parts of Shijo is condensed into a peculiarity of the structure of the last part of a Shijo in <HAM-HUN TAE PYUNG KA>. And the peculiarities results in renovation of atmosphere to usual diction, therefore, in the point of view that active change the style of dialogue is closely connected to subsequent aspects of Shijo, Shijos in <NAM-HUN TAE PYUNG KA> have significant meanings.
Our discussion starts from the analysis of characteristics of Shijos in <NAM-HUM TAE PYUNG KA>, but I still expect that we can read the stream of the history of Shijo including <HAN-HUN TAE PYUNG KA> more comprehensively by extracting a principle from the enumeration of various peculiarities which appears partially.

목차 (Table of Contents)

• 1. 서론
• 2.「남훈태평가」소재 시조의 종장 구성상의 특징
• 3.「남훈태평가」에 나타난 종장 특징의 의미
• 4. 결론