This paper examines the violence of “weak men” in contemporary Japan through an analysis of Kanako Nishi’s “The Dawn of the Night,” and attempts to suggest ways to eliminate violence.The subject of analysis is “Ore,” the “weak man” i...

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다국어 초록 (Multilingual Abstract)
This paper examines the violence of “weak men” in contemporary Japan through an analysis of Kanako Nishi’s “The Dawn of the Night,” and attempts to suggest ways to eliminate violence.The subject of analysis is “Ore,” the “weak man” i...
This paper examines the violence of “weak men” in contemporary Japan through an analysis of Kanako Nishi’s “The Dawn of the Night,” and attempts to suggest ways to eliminate violence.The subject of analysis is “Ore,” the “weak man” in “The Dawn of the Night.”First, we analyze the weakness and violence of “Ore,” and reveal that “Ore” has given birth to violence through the homosocial community.Next, we propose that the intervention of others is necessary to liberate “weak men” who are preoccupied with violence, based on the fact that the violent aspect of “Ore” disappeared due to the intervention of the forest.And we explain that the intervention is not temporary, but needs to be a criticism premised on the continuation of human relations. We argue that it is necessary to consider the problem in a way that is open to various other people, rather than thinking about the problem only as a “weak man.”
인구정책 수단에서 자기관리 상품으로?: 자궁내장치 피임기술의 사회적 의미변화
트랜스 혐오에 저항하다: 사쿠라바 가즈키(桜庭一樹) 「빨강(赤)」의 수복적 팔림프세스트
‘연대’란 무엇인가: 이시무레 미치코 『하늘 물고기』로 보는 미나마타병 투쟁
피란수도 부산의 문화지형과 전시영화 <낙동강>의 역사적 의미에 관한 고찰