에니어그램을 통해서 본 웹 애니메이션 <여우 요괴 소홍랑>의 캐릭터 성격에 관한 연구 = A study on the character personality of web animation <Fox Spirit Matchmaker> seen through the Enneagram

다국어 초록 (Multilingual Abstract)

Animation character design is an art form that uses imaginative language to translate abstract symbolic meanings into figurative images and directly deliver them to people’s eyes. It shortens the distance between people’s perceptual feelings and visual symbols, which brings it to a wide audience. While designing characters, they shall not be shaped as simply visual icons. The key to the success of an animation film is to fully explore the personalities of the characters, to accurately convey the emotions and thoughts of them, guiding the ups and downs through them, and pushing the film to the climax. With the rise and fall of the story, the characters’ minds will also change, which may reveal the features of their psychological process and personalities. The characters will also demonstrate different personalities in different time and space, as well as experiencing different changes. These changes constantly implicate the climate of the film and push the plots’ development.
In contemporary society, a successful design of animation character is a mix of art value and commercial value. It brings sustainable profit to animation films, becoming the medium of business operation and symbol of industries related to anime. Products that are derived from the animation character contain much more commercial value than traditional commodities. Fox Spirit Matchmaker is an Internet animation. It has two main story lines, one is the present life and the other is the previous life. In this case, the characters in this animation have more distinctive personalities. Animation character design is often featured with a personification. Therefore, this paper combines the Nine-Type Personality Theory with the Growth Narrative Patterns to analyze the changes in the characters’ personalities in their previous and present lives under the influence of narrative factors, as well as the growth of the characters in the opposing relationships. While designing characters, animation workers need a certain theoretical basis for shaping their characters’ personalities so that they can show their traits more accurately in the film. Therefore, this paper applies the Nine-Type Personality framework to analyze the personalities of animation characters, so as to explore the feasibility of using the Nine-Type Personality to create animation characters.

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