Debussy의 Violin Sonata에 對한 分析 考察 = Analysical Study on Debussy's Violin Sonata

다국어 초록 (Multilingual Abstract)

The Debussy's musical diction was not created by the new method of his all music. The impressionism music itself which was created by Debussy ws also started to the bitter end, under the basis of the tradition, and we can say that the re-illuminated work which was started with various traditional methods was accomplished from the time of Debussy in the recent centry.
Even in the type of scale which is being used as special character of impressionism music, they are church mode, also pentatonic scale and wholetone scale which was created by himself, the common point which above scale is showing together is appearing the points that functional harmoney of tonal music is not applied. This problem involves the purpose on the holizontal connection of the free harmony that are linking together withmodal music before the tonal music was not established.
As Debussy has made his sound in the important elements of music 9scale, harmony, form, rhythm and color), when we See it with the position of the traditional form, it can be the music with unfamilier feeling, but for the composers after the time of Debussy, they can be composers that have shown the possibility of direction that reasonable sound can be sellected.
Even in the violin Sonata, the above problems are well coincided with, and we can recognize it as a work of mellowed time that the free connection of harmony and progress of sound rather than type of limitd functional harmony are showing.

목차 (Table of Contents)

• Ⅰ. 序 言
• Ⅱ. 印象主義音樂
• 1. 印象主義 音樂의 成立
• 2. 印象主義 音樂의 技法
• Ⅲ. Violin Sonata의 技法分析
• 1. 第1樂章
• 2. 第2樂章
• 3. 第3樂章
• Ⅳ. 結 語