Roland Barthes' cinema

목차 (Table of Contents)

• CONTENTS
• Editors' Preface = ix
• Introduction = 1
• 1. A Degraded Spectacle = 9
• The Interpreter and the Sensualist = 10
• Roman Hair = 12
• A Cold War Cinema = 14
• Demystification, 1957 = 17
• "The Face of Garbo" = 20
• 2. Refresh the Perception of the World = 25
• "On CinemaScope" = 26
• Barthes and the New Wave = 28
• 3. Barthes and Bazin = 35
• Lost Continent = 36
• From Ontology to Rhetoric and Back = 40
• Camera Lucida = 45
• 4. Another Revolution = 49
• The Fetishist = 50
• Eisenstein, 1970 = 55
• Coda : From Leftocracy to Affect and Intimacy = 58
• 5. Leaving the Movie Theater = 61
• The Science of Filmology = 62
• Apparatus Theory = 65
• The Aestheticization of the World = 69
• A Long Conversation with Christian Metz = 71
• Leaving Theory = 75
• 6. The Melodramatic Imagination = 77
• The Bronte Sisters = 77
• The New Wave's Melodramatic Turn = 80
• Michel Foucault's Melodramatic Imagination = 85
• Barthes and Foucault = 89
• Barthes and Truffaut : Melodramatic Photography = 91
• Conclusion : From Barthes to Ranciere? = 96
• Interview With Jacques Ranciere = 100
• Nine Texts on the Cinema by Roland Barthes = 113
• Angels of Sin(Les Anges du peche, 1943) = 113
• On CinemaScope = 116
• Versailles and its Accounts = 117
• Cinema Right and Left = 121
• On Left-Wing Criticism = 124
• "Traumatic Units" in Cinema : Research Principles = 127
• Preface to Les Inconnus de la terre(Strangers of the Earth, Mario Ruspoli, 1961) = 137
• Answer to a Question about James Bond = 137
• Sade - Pasolini = 138
• Notes = 141
• Bibliography = 163
• Index = 179