근대시에서 ‘감각’의 용법 = The Use of Sensibility in Modern Poetry

다국어 초록 (Multilingual Abstract)

Studies on the modern Korean poetry has regarded “sensibilities” as belonging to personal experiences, giving birth to a modern subject. In other words, “sensibilities” have been comprehended from a perspective of a subject's personal experiences of an object (or the world), rather than focusing on existential meaning of the “sensibilities” by themselves.During the modern period, “sensibility” has been often used as an opposing concept to common principles such as Confucian ideology or other external ideology

다국어 초록 (Multilingual Abstract)

“sensibility” was even interchangeably used with “modernity.” For this reason, “sensibilityn” has been regarded as a threshold to aesthetics of modern poetry. The agreement was made that “sensibility” was a counterpart of “emotion” that traditional Romanticism emphasized. The arguments between Lim Hwa and Kim Ki-rim on Technicalism can be understood as a struggle between “emotion” and “sensibility.” Sensibility can be construed as a similar concept to mentalites, indicating underlying qualities of literature in a particular period. This applies to discourse on Kim Kwang-gyun's poem that captured changing sensibilities in a transformation of civilization.
Except plain expression of emotions or crude display of ideology, most of the modern poem works share a common quality that they rely on visual images to express objects concretely, and that they convey poetic messages based on a series of images. In this case, aesthetic accomplishment of individual poem is judged by vividness of images or organic linkage of images. And yet, a study of images in a particular poet's work is insufficient to fully display peculiar significance of “sensibilities” as a threshold to aesthetics. Noting this, this research attempts to demonstrate that “sensibilities” were involved in production of modern subjects, while remaining as the core of arguments surrounding concept of poem.

목차 (Table of Contents)

• Ⅰ. 감각의 맥락들
• Ⅱ. ‘감각’과 근대적 주체의 탄생
• Ⅲ. ‘감정’에서 ‘감각’으로
• Ⅳ. ‘새로운 시’와 감각
• Ⅴ. 나오며
• 참고문헌
• Abstract

참고문헌 (Reference)

1 김경린, "현대시의 원근" 조선일보 1954

2 유성호, "한국현대시의 형상과 논리" 국학자료원 1997

3 이문열, "한국문학이란 무엇인가" 민음사 1995

4 천정환, "한국 소설에서의 감각의 문제" 국어국문학회 141 (141): 197-222, 2005

5 메를로-퐁티, "지각의 현상학" 문학과지성사 2002

6 르노 바르바라, "지각; 감각에 관하여" 동문선 2003

7 정지용, "정지용 전집 2: 산문" 민음사 1995

8 김학동, "정지용 연구" 민음사 1988

9 김용희, "정지용 시의 미학성" 소명출판 2004

10 김신정, "정지용 문학의 현대성" 소명출판 2000

11 최현석, "인간의 모든 감각" 서해문집 2009

12 윤곤강, "윤곤강 전집 2: 산문" 다운샘 2005

13 이동영, "오늘의 문학과 문학의 오늘: 이원조문학평론집" 형설출판사 1990

14 임화, "문학의 논리; 임화문학예술전집 3" 소명출판 2009

15 모니카 M.랭어, "메를로-퐁티의 지각의 현상학" 청하 1992

16 김기림, "김기림 전집 2: 시론" 심설당 1988

17 김학동, "김광균 전집" 국학자료원 2002

18 손유경, "고통과 동정; 한국근대소설과 감정의 발견" 역사비평사 2008

19 김재근, "감각혼용론-근대시의 일단면" 조선일보 1939

20 박월탄, "감각의 연주-정지용시집" 1935

21 마크 스미스, "감각의 역사" 성균관대학교출판부 2010

22 질 들뢰즈, "감각의 논리" 민음사 1995

23 윤지영, "감각의 교체와 근대시의 주체 형성 - 김억의 시와 시론을 중심으로" 한국여성문학학회 17 (17): 225-251, 2007

24 유경동, "1930년대 한국 현대시의 감각 지향성 연구 : 정지용과 백석의 시를 중심으로" 고려대 2005