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      고대 동남아시아의 귀걸이 전통과 그 영향 = Tradition and Influence of Ancient Southeast Asian Earrings

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      https://www.riss.kr/link?id=A60226637

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      다국어 초록 (Multilingual Abstract)

      In this article, I surveyed the historical and stylistic development of ancient southeast Asian earrings, which remained in plenty but have never been researched in Korea before. Southeast Asian peoples have worn many kinds of earrings by piercing their earlobes from the Neolithic period to the present. Some of those earrings were too big and thick to wear, but those were worn in the holes of each owner’s earlobe, which were penetrated during the childhood and enlarged from time to time until the owner became an adult. This piercing tradition might be transmitted to Southeast Asia from Indian subcontinent, and later influenced the southern part of ancient Korean peninsula.
      In the ancient southeast asia, many people wore peculiar thick earrings called “Ling ling-o”. Most ancient Ling ling-o earrings were made in the local workshops. But in most case, the material itself was light green nephrite from the Fengtian mine in southern Taiwan. Such earrings were discovered in many archaeological sites of Southeast Asia, such as Vietnam and Philippines. Such geographical distribution of this Taiwanese nephrite Ling ling-o earring reveals the cultural and economical exchanges between the southeast Asia and Taiwan through the sea route.
      During the early historical period, the nephrite Ling ling-o earrings were changed into a “C” shaped metal earrings. A stone mold for making “C” shaped earrings was excavated from an archaeological site of Funan in Southern Vietnam. In addition, some gilt bronze and gold “C” shaped earrings were discovered at several archaeological sites of Vietnam, Thailand and Indonesia. The usage of such metal earrings had continued for a long time, even until the modern era.
      The most famous traditional metal earring type in Modern Southeast Asia is “Mamuli”, an eccentric gold earring of Sumba Island in Indonesia. The main shape of Mamuli gold earring comes from the traditional “C” shaped thick earrings but modern Mamuli earrings have many symmetrical descriptive decorations with main shape. These Mamuli earrings are worn during the ancestral ceremonies in Sumba Island to honor their ancestors.
      From ancient Ling ling-o to modern Mamuli, ancient southeast asian earrings share the main thick “C” shaped and enlarged piercing tradition. Such typical earring tradition of ancient Southeast Asia shows the cross cultural relationships not only between far distant regions but also between far distant times. Those earrings are very important as material and visual evidences to understand the jewelry customs and cultural exchanges of the ancient Southeast Asian culture and the other worlds.
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      In this article, I surveyed the historical and stylistic development of ancient southeast Asian earrings, which remained in plenty but have never been researched in Korea before. Southeast Asian peoples have worn many kinds of earrings by piercing the...

      In this article, I surveyed the historical and stylistic development of ancient southeast Asian earrings, which remained in plenty but have never been researched in Korea before. Southeast Asian peoples have worn many kinds of earrings by piercing their earlobes from the Neolithic period to the present. Some of those earrings were too big and thick to wear, but those were worn in the holes of each owner’s earlobe, which were penetrated during the childhood and enlarged from time to time until the owner became an adult. This piercing tradition might be transmitted to Southeast Asia from Indian subcontinent, and later influenced the southern part of ancient Korean peninsula.
      In the ancient southeast asia, many people wore peculiar thick earrings called “Ling ling-o”. Most ancient Ling ling-o earrings were made in the local workshops. But in most case, the material itself was light green nephrite from the Fengtian mine in southern Taiwan. Such earrings were discovered in many archaeological sites of Southeast Asia, such as Vietnam and Philippines. Such geographical distribution of this Taiwanese nephrite Ling ling-o earring reveals the cultural and economical exchanges between the southeast Asia and Taiwan through the sea route.
      During the early historical period, the nephrite Ling ling-o earrings were changed into a “C” shaped metal earrings. A stone mold for making “C” shaped earrings was excavated from an archaeological site of Funan in Southern Vietnam. In addition, some gilt bronze and gold “C” shaped earrings were discovered at several archaeological sites of Vietnam, Thailand and Indonesia. The usage of such metal earrings had continued for a long time, even until the modern era.
      The most famous traditional metal earring type in Modern Southeast Asia is “Mamuli”, an eccentric gold earring of Sumba Island in Indonesia. The main shape of Mamuli gold earring comes from the traditional “C” shaped thick earrings but modern Mamuli earrings have many symmetrical descriptive decorations with main shape. These Mamuli earrings are worn during the ancestral ceremonies in Sumba Island to honor their ancestors.
      From ancient Ling ling-o to modern Mamuli, ancient southeast asian earrings share the main thick “C” shaped and enlarged piercing tradition. Such typical earring tradition of ancient Southeast Asia shows the cross cultural relationships not only between far distant regions but also between far distant times. Those earrings are very important as material and visual evidences to understand the jewelry customs and cultural exchanges of the ancient Southeast Asian culture and the other worlds.

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      목차 (Table of Contents)

      • Ⅰ. 머리말
      • Ⅱ. 피어싱과 대형 귀걸이 착장 전통
      • Ⅲ. 옥제 링링오 귀걸이의 유행과 전파
      • Ⅳ. 금속제 대형 귀걸이의 등장과 발전
      • Ⅴ. 고대 귀걸이 양식의 지속성과 변화
      • Ⅰ. 머리말
      • Ⅱ. 피어싱과 대형 귀걸이 착장 전통
      • Ⅲ. 옥제 링링오 귀걸이의 유행과 전파
      • Ⅳ. 금속제 대형 귀걸이의 등장과 발전
      • Ⅴ. 고대 귀걸이 양식의 지속성과 변화
      • Ⅵ. 맺음말
      • 참고문헌
      • ABSTRACT
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      참고문헌 (Reference)

      1 강희정, "푸난(扶南) 불교조각의 연원과 전개" 미술사와 시각문화학회 (8) : 40-67, 2009

      2 류창환, "아시아의 고대 문물교류" 서경문화사 2012

      3 주경미, "韓國 古代 耳飾의 着裝方式 硏究" 한국역사민속학회 17 : 2003

      4 동북아역사재단, "譯註中國正史外國傳6南齊書·梁書·南史外國傳譯註" 동북아역사재단 2010

      5 Tan, Heidi, "Viêt Nam-From Myth to Modernity" Asian Civilizations Museum 2008

      6 Bacus, Elisabeth A., "Uncovering Southeast Asia’s Past" NUS Press 2006

      7 Untracht, Oppi, "Traditional Jewelry of India" Thames and Hudson 1997

      8 Tarling, Nicholas, "The Cambridge History of Southeast Asia, volume one, part one, From Early times to c.1500" Cambridge University Press 1999

      9 Briggs, Lauwrence Palmer, "The Ancient Khmer Empire" The American Philosophical Society 41 (41): 1951

      10 Glover, Ian, "Southeast Asia: From Prehistory to History" RoutledgeCurzon 2004

      1 강희정, "푸난(扶南) 불교조각의 연원과 전개" 미술사와 시각문화학회 (8) : 40-67, 2009

      2 류창환, "아시아의 고대 문물교류" 서경문화사 2012

      3 주경미, "韓國 古代 耳飾의 着裝方式 硏究" 한국역사민속학회 17 : 2003

      4 동북아역사재단, "譯註中國正史外國傳6南齊書·梁書·南史外國傳譯註" 동북아역사재단 2010

      5 Tan, Heidi, "Viêt Nam-From Myth to Modernity" Asian Civilizations Museum 2008

      6 Bacus, Elisabeth A., "Uncovering Southeast Asia’s Past" NUS Press 2006

      7 Untracht, Oppi, "Traditional Jewelry of India" Thames and Hudson 1997

      8 Tarling, Nicholas, "The Cambridge History of Southeast Asia, volume one, part one, From Early times to c.1500" Cambridge University Press 1999

      9 Briggs, Lauwrence Palmer, "The Ancient Khmer Empire" The American Philosophical Society 41 (41): 1951

      10 Glover, Ian, "Southeast Asia: From Prehistory to History" RoutledgeCurzon 2004

      11 Solheim, Wilhelm G. II, "Remarks on ‘The lingling-o and bi-cephalous ornament" Hong Kong Archaeological Society 10 : 1983

      12 Reinecke, Andreas, "Recent Discoveries in Vietnam: Gold Masks and Other Precious Items" Arts of Asia Publication Limitied 39 (39): 2009

      13 Benitez-Johannot, Purissima, "Paths of Origins: The Austronesian Heritage in the Collections of The National Museum of the Philippines, The Museum National Indonesia and The Netherlands Rijksmuseum voor Vlkenkunde" ArtpostAsia 2011

      14 Miksic, John, "Old Javanese Gold" Odeation 1990

      15 Iizuka, Yoshiyuki, "Mineralogical Studies of the Niah West Mouth Jade Lingling-o" Sarawak Museum 61 (61): 2005

      16 Pelliot, Paul, "Le Fou-Nan, In Bulletin de l’École Française D’extrême-Orient, Tome 3" École Française D’extrême-Orient 1903

      17 Richter, Anne, "Jewelry of Southeast Asia" Harry N. Abrams 2000

      18 Pandey, Rajbali, "Hindu Saṃskāra: Socio-Religious Study of the Hindu Sacrament, second edition" Motiral Banarsidass Publishers 1993

      19 Richter, Anne, "Gold Jewellery of the Indonesian Archipelago" Editions didier Millet 2011

      20 Vickery, Michael, "Funan Reviewed: Deconstructing the Ancient" 90-91 : 2004

      21 Coedès, George, "Fouilles en Cochinchine : Le Site de Go Oc Eo, Ancient Port du Royaume de Fou-Nan" Artibus Asiae 10 (10): 1947

      22 Carpenter, Bruce W., "Ethnic Jewellery from Indonesia–Continuity and Evolution, The Manfred Giehmann Collection" Editions didier Millet 2011

      23 Postel, Michel, "Ear Ornaments of Ancient India" Franco-Indian Pharmaceuticals 1989

      24 Tingley, Nancy, "Arts of Ancient Viet Nam: From River Plain to Open Sea" Yale University Press 2009

      25 Khoo, James C. M., "Art & Archaeology of Fu Nan: Pre-Khmer Kingdom of the Lower Mekong Valley" Orchid Press 2003

      26 Solheim, Wilhelm G. II, "Archaeology and Culture in Southeast Asia: Unraveling the Nusantao" University of Hawaii Press 2007

      27 Bellina, Bérénice, "50 Years of Archaeology in Southeast Asia: Essays in Honour of Ian Glover" River Books 2010

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