Folk art and magic : Shamanism in Korea

목차 (Table of Contents)

• CONTENTS
• DEDICATION／PREFACE = 5
• INTRODUCTION = 12
• Part Ⅰ Function of Shamanist Folk Paintings History = 20
• 1. Very Ancient Shamanist Paintings = 20
• Buddhist Paintings Which f nclude Shamanist Themes = 23
• 2. characteristics of Foik Paintings = 26
• Anonymity and Reiteration = 26
• Color Schemes = 271
• "Mudang Paintings"-A Segment of Korean Folk Art = 28
• 3. Icons Now in Use in One Manshin's Spirit Room = 32
• Winged Deity, Korea's "First Shaman" = 32
• Red-Soil Horse-Riding neral = 36
• eomancy's Founder = 37
• The H eavenly Spirit = 38
• Mountain Spirit with Special Medical Waters = 39
• Use in a Sacred Room = 40
• Part Ⅱ Shamanism's Pantheon : A "Top Dozen" Portmts The Mountain Spirit or San-shin = 42
• 1. Tangun = 45
• Kindly Old Man = 47
• Taoist-type Mountain Spirit = 48
• Longevity = 50
• A Feather Fan = 51
• Buddhist-type Mountain Spirit = 51
• Confucian-type Mountain Spirit = 52
• 2. The Dragon King or Yong-wang = 56
• The Dragon King and Dragons in General = 57
• Complexity of Dragon Representations = 5
• Paekche Legend of the Dragon King = 60
• Silla- Period Respect for the Dragon King = 60
• Dragon King (with a Bud- dhist Twist) = 61
• The King Jauntily Rides the Waves = 62
• Dragon King Became Linked with Buddhism's Kuanyin = 63
• Present-day Dragon Festival in Seoul 65IShamanist-Buddhist Festival to the River God = 66
• Dragon King Still Reigns at Cheju Island = 67
• Dragon King Wor- ship Beside Pusan's Westin Chosun Beach Hotel = 67
• The Rain- Bringing Dragon = 68
• 3. Mystery, "The Lonely Saint" or Toksong = 72
• Traditional Aspect = 72
• Pindola, the Super-Magician = 75
• Pindola Became Toksong in Korea? = 76
• Folk Touches Present in Ancient Buddhist Painting = 77
• 4. Seven Stars or Chilsong = 79
• Possible origins for Seven Star Worship = 79
• Popularity of Seven Star Spirit among Korean Shamans = 80
• The Pole Star = 80
• The Elder Brother Star = 83
• Buddhisrn also Adopts Seven tars = 84
• 5. The Three Spirits or Sam-shin or Sam-bul = 86
• Numerology = 86
• Three Spirits as an Icon = 86
• Popular Folk-tale of the Three Spirits and The Birth Grandmother = 88
• The Three Spirits Miraculous Birth = 88
• Youth and Adulthood of Shamanism's "Three Spirits" = 90
• An Early Painting of the Three Spirits and Their Monk- Father = 91
• Buddhi-Shamanism = 92
• 6. The Five Spirit-Generals for the Five Directions = 93
• Numerology and Cosmology = 93
• The Five Directional Generals in Art = 94
• An Enlarged Repertoire of Generals = 96
• 7. Horse-Riding Generals = 98
• Red Soil Horse = 98
• Flying White Horse = 99
• 8. The Heavenly Spirit = 100
• Historical Origins 100IChon-shin in Folk Tales = 100
• lconographic Traits = 102
• The Home's Guardian Against Disease or Choyong = 103
• Choyong in History = 103
• Present-day Status = 104
• 10. The Home's Guardian Against Foreign Enemies or Chi U = 105
• Chi U in History = 105
• Present-day Conditions = 107
• The Home's Conception Deity or Chesok-Buddha = 108
• Architecture ane Shamanist Spirits = 108
• Chesok-Buddha Icons = 108
• Paradox of Chesok-Buddha = 109
• Probable History of Chesok- Buddha = 109
• 12. The Home's Foreman : Taegam
• Part Ⅲ Shamanism's Sexual Core = 116
• Part Ⅳ Shamanism in Action Korea's Ecstatic Tradition = 124
• Universality = 124
• Dominance = 124
• Still Viable as a Religion = 124
• A Complex Heritage = 125
• Agricultural Shamanism or Musok = 127
• Seout's Urban Shamanism Based on Hunting 'Traditions of Long Ago = 128
• Communist Suppression = 129
• The Star of the Show = 129
• Attractions of Northern Shamanism = 130
• Charismatic Shaman Symbols of the Past and Present = 132
• Horsesin Ancient Shaman Rituals = 135
• Flight to Heaven Syrnbolism = 137
• Stag Antlers (Siberian Reindeer) in Shaman Rituals = 139
• Cosmic Tree (White Birch), Center of the Cosmos = 141
• Jewelry as Golden Birch Leaves = 143
• Bones as Shaman Magic = 144
• Historical Speculations = 144
• Paths to Alternate Realities = 146
• Music : First Steps upon the Path = 146
• Bells, Spears and Knives = 147
• Ritual Dancing = 148
• Musicians and Their Instruments = 149
• Fans = 150
• Colors of Clothing Significant = 151
• Headgear = 152
• The Altar : From Man to the Spirits = 151
• Dancing on Knives = 154
• Lighted Cigarettes = 158
• The Sacrificial Pig = 159
• Divination or the "Will of the Spirits" = 160
• Present-day Shaman Rituals and Customs = 162
• Modern Persecutions = 162
• Shamans Perform on a Sacred Moun- tain = 163
• Potential of "Ten Thousand Spirits" = 165
• Time Span of a Kut = 166
• FourBasicSegmentsQfMountSamgakPeformances = 169
• LiterarySpirits = 169
• AncestraiSpirits = 169
• MartialSpirits = 172
• Rituals for the Dead and a Trip to Hell = 173
• Part Ⅴ Shamanism in Perspective Shamanism in Korea a Century Ago = 192
• 1. Scarcity of Information = 192
• Bottorn Caste, But Needed = 192
• Horne- CenteredFolkFaith = 193
• GencralConditionsaCenturyAgo = 195
• 2. Shamanism,,z Role in Modern Korea = 198
• Modern Architecture Helped to Destroy the Abode of "Spirits" = 200
• Modern Theater Cornpetes with Sharnanisrn's Psycho-Drarna = 201
• Koreans Have Forgotten about "Blocked Directions" = 202
• Modern Medicine and Science Destroyed the Shamanist Spirits = 203
• Sexual Overtones within Shamanism = 203
• Pioneer Work by Yongsook Kim Harvey = 204
• Pyongyang Manshin = 204
• Ttonggol Manshin = 205
• Suwon Manshin = 205
• Social and Religious Conflicts = 207
• Faith Heating for Mental Illness Still Flourishing = 207
• Spirit Marriages Arranged for KAL Plane Victims = 208
• Past and Present Related = 208
• Shamanism and Democracy = 209
• The Fifth Republic = 210
• 3. The Future? = 210
• The Littlest Mudang = 211
• SELECTED BIBLIOGRAPHY = 212
• INDEX = 213
• GLOSSARY = 215