ReFocus: the literary films of Richard Brooks

목차 (Table of Contents)

• CONTENTS
• List of Figures = vii
• Notes on Contributors = ix
• Acknowledgments = xii
• 1 Introduction / R. Barton Palmer ; Homer B. Pettey = 1
• 2 The Brick Foxhole (1945) : Richard Brooks’s American Vision / Matthew H. Bernstein = 14
• 3 The Muted Voices of Conscience and Responsibility in Crisis (1950) / Alan Woolfolk = 31
• 4 Deadline-U.S.A. (1952) : A Fox Film of Fact / R. Barton Palmer = 44
• 5 “Man Against the Times” : Conformity, Anti-Statism, and the
• “Unknown” Korean War in Battle Circus (1953) / Ian Scott = 63
• 6 Captured Interiors : Female Performances in The Last Time
• I Saw Paris (1954) and The Happy Ending (1969) / Daniel Varndell = 75
• 7 Blackboard Jungle (1955) : A Cinematic Education / Steven Rybin = 90
• 8 Hunting and the Economics of Adaptation : The Last Hunt (1956)
• and The Professionals (1966) / Homer B. Pettey = 107
• 9 The Curse of Money : Negotiating Marriage in
• The Catered Affair (1956) / Elisabeth Bronfen = 123
• 10 Adapting Modernism : Richard Brooks and
• The Brothers Karamazov (1958) / Douglas McFarland = 138
• 11 Haunted : Cat on a Hot Tin Roof (1958) / David Sterritt = 152
• 12 A Bite of Salvation / Murray Pomerance = 166
• 13 “Monstrous Cinemascope” : Richard Brooks Adapts
• Sweet Bird of Youth (1962) / William H. Epstein = 183
• 14 Adapting the Unadaptables : Lord Jim (1965) / Thomas Leitch = 200
• 15 Adaptation as Mutation : In Cold Blood (1967) / Jennifer L. Jenkins = 215
• 16 Looking for Mr. Good Guy : Anatomizing ’70s Fracture and
• Fragmentation / Julie Grossman = 231
• 17 Failing to Locate Wrong is Right (1982) and What that Reveals
• about Cinematic Reality / Allen H. Redmon = 246
• Bibliography = 261
• Index = 272