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KCI
DBpiaThis study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory. The first issue discussed is ‘the char...
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RISS 인기검색어
도서연안지역 민요공동체의 성격과 민요의 연행양상 = Characteristics of Folksongs Community and Performance Aspect of Folksongs in the Islands/Costal Region
한글로보기https://www.riss.kr/link?id=A104153686
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저자
홍순일 (목포대학교)
- 발행기관
- 학술지명
- 권호사항
-
발행연도
2008
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작성언어
Korean
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주제어
islands/costal regions ; folksongs community ; chara- cteristic ; folksongs in the islands region ; performance aspect ; the viewpoint of delight ; a poem-song-dance ; enthusiasm ; islands spirit ; Sori-cultural device ; a network device. ; 도서연안지역 ; 민요공동체 ; 성격 ; 도서지역 민요 ; 연행양상 ; 열지세계관 ; 시가무 ; 신명 ; 민요연행사 ; 도서정신 ; 소리문화장치 ; 네트워크장치
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등재정보
KCI등재
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자료형태
학술저널
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수록면
377-409(33쪽)
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KCI 피인용횟수
12
- 제공처
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0
상세조회 -
0
다운로드
부가정보
다국어 초록 (Multilingual Abstract)
This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
다국어 초록 (Multilingual Abstract)
This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory. The first issue discussed is ‘the ch...
This study leads an in-depth argument of characteristics of folksongs community and aspect of folksongs in the islands/coastal regions through positive practices from the view point on the performance theory.
The first issue discussed is ‘the characteristics of folksongs community in islands/costal regions.’ In characteristics, folksongs community in islands/costal regions has taken its purpose in realizing enthusiasm of inhabitants in folksongs community in islands/costal regions, and transmitted with folksongs in islands regions. The view point is known as “the viewpoint of Yeolji, or delight,” which means that the delightful and pleasant talks can produce poems, songs and dances. The methodology is the fusion of a poem, a song, and a dance, which means that a poem should transmit to a song, and song to a dance. And an amusement (play) factor is added into them in the serial form. Further, the focal point is to materialization of the community delight, which indicates that the Sori-cultural device is activated for the communication between residents, and the network device is operated for openness between communities.
The second issued discussed in the study is ‘the performance aspect of folksongs in islands/costal regions.’ The folksongs in the regions show the performance aspect by which they expand the practical possibility based on a poem-song-dance fusion when the inhabitants realize the folksongs in the communities of the regions. Namely, the performance aspect of folksongs in the islands regions is to combine firstly a poem and a song, secondly a poem-song and a dance and finally a poem-song-dance and play. At the same time, the delight is pursued through inter-community transmission.
The third topic is ‘the significance of folksongs performance in the folksongs community of the islands/coastal regions.’ The inhabitants of islands/coastal regions are realizing islands spirits and establishing the Sori-cultural device through islands region folksongs which were combined with villages and folksongs communities. That is, the folksongs community as a mediator which realizes folksongs in the islands regions is being operated in the background of local communities in the islands/costal regions. The folksongs of islands regions not only satisfy the cultural demands of residents in the islands/coastal regions, but enable the fusion of a poem, a song and a dance with play added on it, thus finally making the exit of delight.
참고문헌 (Reference)
1 홍순일, "｢지도/증도/임자도의 설화와 민요｣, 도서문화연구자료총서 제17/18/19집 도서 문화유적 자료조사 및 자원화 연구6/7/8−지도/증도/임자면 편−" 목포대 도서문화연구소 2006
2 이경엽, "｢Ⅳ. 민속문화자원/Ⅳ. 민속문화자원/Ⅲ. 무형문화자원/Ⅲ. 무형문화자원｣, 도서문화연구자료총서 제13/14/15/16집 도서 문화유적 지료조사 및 자원화 연구2－비금면/흑산면/도초면/안좌․팔금면 편－" 목포대학교 도서문화연구소 2005
3 사재동, "한국희곡사 연구서설" 어문연구학회 18-19 : 1989
4 임재해, "한국전통문화에 나타난 공동체 의식" 대한기독교서회 365 : 26-36, 1989
5 해양수산부, "한국의 해양문화 1-5" 해양수산부 2002
6 박광순, "한국어업공동체에 관한 연구" 전남대 1975
7 "한국민요대전 2 전라남도 편－전라남도민요해설집" MBC 1993
8 노동은, "한국근대음악사 1" 한길사 1995
9 이경엽, "포구의 기능과 연행민속 전승의 상관성" 한국민속학회 44 (44): 305-332, 2006
10 홍순일, "판소리창본의 희극정신과 극적 아이러니 in : 판소리창본의 희곡적 연구(충남대 박사학위논문, 2002. 2)" 박이정 2003
1 홍순일, "｢지도/증도/임자도의 설화와 민요｣, 도서문화연구자료총서 제17/18/19집 도서 문화유적 자료조사 및 자원화 연구6/7/8−지도/증도/임자면 편−" 목포대 도서문화연구소 2006
2 이경엽, "｢Ⅳ. 민속문화자원/Ⅳ. 민속문화자원/Ⅲ. 무형문화자원/Ⅲ. 무형문화자원｣, 도서문화연구자료총서 제13/14/15/16집 도서 문화유적 지료조사 및 자원화 연구2－비금면/흑산면/도초면/안좌․팔금면 편－" 목포대학교 도서문화연구소 2005
3 사재동, "한국희곡사 연구서설" 어문연구학회 18-19 : 1989
4 임재해, "한국전통문화에 나타난 공동체 의식" 대한기독교서회 365 : 26-36, 1989
5 해양수산부, "한국의 해양문화 1-5" 해양수산부 2002
6 박광순, "한국어업공동체에 관한 연구" 전남대 1975
7 "한국민요대전 2 전라남도 편－전라남도민요해설집" MBC 1993
8 노동은, "한국근대음악사 1" 한길사 1995
9 이경엽, "포구의 기능과 연행민속 전승의 상관성" 한국민속학회 44 (44): 305-332, 2006
10 홍순일, "판소리창본의 희극정신과 극적 아이러니 in : 판소리창본의 희곡적 연구(충남대 박사학위논문, 2002. 2)" 박이정 2003
11 지춘상, "진도아리랑 형성고" 전남대 호남문화연구소 18 : 1988
12 서해숙, "지역민속의 전승체계와 활용" 민속원 2007
13 임재해, "지역민속에 의한 지역문화 창출의 준거와 방향" 조직위원회․국립민속박물관 17-44, 2007
14 주강현, "주강현의 관해기 일상과 역사를 가로지르는 우리 바다 읽기 관해기 1/2/3 남쪽바다/서쪽바다/동쪽바다" 웅진 지식하우스 2006
15 실천민속학회, "조선후기 민속문화의 주체" 집문당 2004
16 이윤선, "조기잡이 닻배와 어로민요 닻배 연구" 목포대 2002
17 나경수, "전통서사를 활용한 지역문화의 활성화" 어문연구학회 97-113, 2007
18 이경엽, "임자도의 파시와 파시 사람들" 목포대 도서문화연구소 24 : 2004
19 나승만, "완도지역 민요연행의 실상과 변천" 민요학회 2 : 77-109, 1993
20 김혜정, "여성민요의 음악적 존재 양상과 전승 원리" 한국정신문화연구원 2003
21 "어촌민속지－경기도․충청남도 편" 국립민속박물관 1996
22 나승만, "소포리 노래방 활동에 대한 현지 연구" 한국역사민속학회 3 : 27-45, 1993
23 나승만, "소안도 민요사회의 역사" 목포대 도서문화연구소 11 : 125-189, 1993
24 홍순일, "선유도 · 무녀도의 설화와 민요" 도서문화연구원 30 (30): 387-431, 2007
25 이경엽, "서해안 배치기소리와 조기잡이의 상관성" 한국민요학회 15 : 215-248, 2004
26 홍순일, "서해바다 황금갯벌의 구비전승물과 해양정서" 도서문화연구원 30 (30): 287-335, 2007
27 홍순일, "서해 도서지역의 구비전승물과 해양정서－조기를 중심으로−" 목포대 도서문화연구소 28 : 519-567, 2006
28 나승만, "서남해역 해양민요" 서남해역 (하), 해양수산부 1 : 525-569, 2002
29 이경엽, "서남해 지역의 남사당 관련 민속연희와 연희자 연구" 한국고전희곡학회 5 : 209-233, 2002
30 전경수, "사자를 위한 의례적 윤간－추자도의 산다위－" 한국문화인류학회 24 : 1992
31 나승만, "뱃사람들의 생활과 생애이야기" 서남해역 (하), 해양수산부 1 : 60-131, 2002
32 나승만, "민중 생애담 조사법" 민속원 (9) : 192-204, 1999
33 임재해, "민속놀이의 주술적 의도와 생산적 구실" 민속학회 27 : 315-364, 1995
34 나승만, "무안민요의 지역적 특성과 문화론적 활용 -들노래를 중심으로-" 도서문화연구원 29 (29): 317-366, 2007
35 이현수, "마을공동체의 변모양상－호남지방을 중심으로－" 비교민속학회 18 : 117-123, 2000
36 이경엽, "도서지역의 민속연희와 남사당연구－신안 남사당 노래의 정착과정을 중심으로－" 한국민속학회 33 : 225-254, 2001
37 이경엽, "도서․해양문화 연구의 쟁점－민속분야를 중심으로－" 목포대 도서문화연구소․순천대 남도민속연구소 2007
38 홍순일, "도서․연안지역 해양민요의 구현체와 연행양상" 한국민요학회 61-81, 2008
39 서해숙, "도서․연안지역 해양민요의 구현체와 연행양상" 한국민요학회 83-84, 2008
40 허경회, "도서 문화유적 지료조사 및 자원화 연구1－압해면 편－" 12 : 162-192, 2003
41 이윤선, "닻배노래에 나타난 어민 생활사:진도군 조도군도를 중심으로" 민요학회 7 : 2003
42 나승만 외, "다도해 사람들－사회와 민속" 경인문화사 2003
43 최성락 외, "다도해 사람들-역사와 공간" 경인문화사 2003
44 나승만, "노래판 산다이에 대한 현지작업" 한국민요학회 4 : 39-62, 1996
45 나승만, "노래를 지키는 사람들" 문예공론사 1995
46 이경엽, "남사당 노래의 전승과 민속의 창조적 수용" 국립민속박물관 8 : 221-242, 2001
47 나승만, "남동리 민요공동체 당당패의 성립과정" 한국민요학회 2 : 85-106, 1994
48 나승만, "근대 민요공동체에 대한 사적 고찰" 한국구비문학회 21 (21): 99-125, 2005
49 김옥란, "극전통과 판소리의 미학" 태학사 4 : 1994
50 이윤선, "구술 진도민속음악사 1" 이소북 2004
51 신용하, "공동체 이론" 문학과지성사 1985
52 "경남 어촌민속지" 국립민속박물관 2002
53 홍순일, "≪조사보고서－전남 진도군 일대≫<민요>" 남도민속학회 12 : 303-376, 2006
54 홍순일, "≪조사보고서－전남 광양시, 경남 남해군 일대≫<광양시 일대 조사보고서> 섬진강 유역의 진월면․다압면 민요" 남도민속학회 14 : 445-492, 2007
55 홍순일, "≪도서지역 민요≫와 민속문화정보" 한국민요학회 19 : 275-312, 2006
56 홍순일, "≪도서지역 민요≫와 문화관광" 한국민요학회 17 : 357-387, 2005
57 홍순일, "≪기획조사보고서－전남 신안군 증도공동연구≫<증도의 민요>" 28 : 663-732, 2006
58 조경만, "‘도서문화’ 민속분야 연구의 반성" 목포대 도서문화연구소 7 : 1990
59 홍순일, "<<신안민요>>의 언어문학적 접근과 소리문화적 활용-<지도민요>`<증도민요>`<임자도민요>를 중심으로-" 남도민속학회 (14) : 321-366, 2007
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분석정보
인용정보 인용지수 설명보기
학술지 이력
| 연월일 | 이력구분 | 이력상세 | 등재구분 |
|---|---|---|---|
| 2028 | 평가예정 | 재인증평가 신청대상 (재인증) | |
| 2022-01-01 | 평가 | 등재학술지 유지 (재인증) | |
| 2019-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
| 2016-01-01 | 평가 | 등재학술지 선정 (계속평가) | |
| 2015-12-01 | 평가 | 등재후보로 하락 (기타) |  |
| 2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
| 2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
| 2006-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
| 2005-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
| 2003-07-01 | 평가 | 등재후보학술지 선정 (신규평가) | |
학술지 인용정보
| 기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
|---|---|---|---|
| 2016 | 0.36 | 0.36 | 0.4 |
| KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
| 0.42 | 0.48 | 0.862 | 0.04 |
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