현대 그래픽디자인의 몰형식적 표현요인으로서 중첩과 분절의 유희 = (A) Study on the play of Superimposition and Segmentation in the Formlessness of Contemporary Graphic Design

다국어 초록 (Multilingual Abstract)

The expression tendency of contemporary graphic design that departure from traditional norms and relations now represent a generalized phenomenon. The study regulations were the nature of this phenomenon as a formlessness of the contemporary graphic design which is borrowed from an aesthetic concept. Contemporary graphics formless representation of the design is the method used is not a visual method by play, and the play of the superimposition and segmentation, is frequently limited to a particular expression. This study puts its purpose to reveal what kinds of some properties in the ``superimposition`` and the expression of ``segmentation`` that have a formless tendencies and some relevance in contemporary graphic design and presentation aspect and meaning aspects of modern graphic design. Graphic design is a representation of superimposition the segment from the point of view of assembly of the visual text in the expression and seems to be associated with a substantial part of the segment overlaps the text in the language. The results of the study, play of superimposition in terms of organic expansion of the derivative and the spatial concept of secondary meaning, play the segment has been identified is that elicit the difference meanings express the structure of the disassembly and relocation and visual text to structure and function. This has been a major factor to strengthen the formlessness of the contemporary graphic design.