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      Harold Pinter’s Language Style with a Focus on Silence and Pause

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      https://www.riss.kr/link?id=A105988505

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      다국어 초록 (Multilingual Abstract)

      Silence and Pause mark one of Pinter’s dramatic features in terms of its language style. They are important elements in creating the dramatic tension in his plays. Thus, the way to explain silence and pause has become an important factor in understanding Pinter’s language. Silence and Pause are more effective and powerful in revealing the characters’ anger, fear and desperation than words. At the same time, they can create a kind of menacing aura which intensifies the dramatic tension. With the skillful employment of silence and pause, the playwright asks the audience to be an active participant in the psychological activity of the character. For the playwright, the dialogue, silence and pause have equal status in terms of communication. Language, silence and pause could communicate in some specific contexts. Pinter is good at using the strategy in which the characters use both language and silence at the same time. The thesis intends to use textual analysis to observe the creativity of Pinter’s language with a view to helping readers have a deeper understanding of the dramatic art of Pinter’s dramas.
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      Silence and Pause mark one of Pinter’s dramatic features in terms of its language style. They are important elements in creating the dramatic tension in his plays. Thus, the way to explain silence and pause has become an important factor in understa...

      Silence and Pause mark one of Pinter’s dramatic features in terms of its language style. They are important elements in creating the dramatic tension in his plays. Thus, the way to explain silence and pause has become an important factor in understanding Pinter’s language. Silence and Pause are more effective and powerful in revealing the characters’ anger, fear and desperation than words. At the same time, they can create a kind of menacing aura which intensifies the dramatic tension. With the skillful employment of silence and pause, the playwright asks the audience to be an active participant in the psychological activity of the character. For the playwright, the dialogue, silence and pause have equal status in terms of communication. Language, silence and pause could communicate in some specific contexts. Pinter is good at using the strategy in which the characters use both language and silence at the same time. The thesis intends to use textual analysis to observe the creativity of Pinter’s language with a view to helping readers have a deeper understanding of the dramatic art of Pinter’s dramas.

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      참고문헌 (Reference)

      1 Scott, Michael, "The Caretaker & The Homecoming: A Selection of Critical Essays" Macmillan 1986

      2 Amiri, Niloufar, "The Aesthetic Values of Silence in Two Plays by Harold Pinter" 7 (7): 111-116, 2016

      3 Esslin, Martin, "Pinter: The Playwright" Methuen 1984

      4 Thompson, David T, "Pinter: The Player’s Playwright" Schocken 1985

      5 Esslin, Martin, "Pinter at Sixty" Indianna Press 1993

      6 Ciardi, John, "How Does a Poem Mean" Houghton 1959

      7 Stevenson Randall, "Harold Pinter: You Never Heard Such Silence" Barnes 29-58, 1985

      8 Hall, Peter, "Harold Pinter: You Never Heard Such Silence" Barnes 19-28, 1985

      9 Braunmuller A. R, "Harold Pinter" Associated UP 118-127, 1986

      10 Hinchliffe, Arnold P, "Harold Pinter" Twayne 1981

      1 Scott, Michael, "The Caretaker & The Homecoming: A Selection of Critical Essays" Macmillan 1986

      2 Amiri, Niloufar, "The Aesthetic Values of Silence in Two Plays by Harold Pinter" 7 (7): 111-116, 2016

      3 Esslin, Martin, "Pinter: The Playwright" Methuen 1984

      4 Thompson, David T, "Pinter: The Player’s Playwright" Schocken 1985

      5 Esslin, Martin, "Pinter at Sixty" Indianna Press 1993

      6 Ciardi, John, "How Does a Poem Mean" Houghton 1959

      7 Stevenson Randall, "Harold Pinter: You Never Heard Such Silence" Barnes 29-58, 1985

      8 Hall, Peter, "Harold Pinter: You Never Heard Such Silence" Barnes 19-28, 1985

      9 Braunmuller A. R, "Harold Pinter" Associated UP 118-127, 1986

      10 Hinchliffe, Arnold P, "Harold Pinter" Twayne 1981

      11 Dukore, Bernard F, "Harold Pinter" Grove Press Inc 1982

      12 Dohmen, William F, "Harold Pinter" Associated UP 187-201, 1986

      13 Hayman, Ronald, "Harold Pinter" Fakenham 1980

      14 Pinter, Harold, "Complete Works 3" Grove 1990

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2008-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2007-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.19 0.19 0.25
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.21 0.26 0.552 0
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