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      체홉의 “팜므 파탈(Femme Fatale)” 캐릭터 연구 = A Study on “Femme Fatale” Characters of Chekhov

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      https://www.riss.kr/link?id=A82569464

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Femme Fatale is one of historic images existing from the biblical days and mythological ages in the ancient times. Femme Fatale means the attractive women driving a man toward destruction. Femme Fatale fever was the periodical trend hitting the literary and art world in Europe in the 19th century. It was the image of women as the dreadful existence as well as attractive one which was generated along with the tide of feminist movement clamoring for freedom and liberation of women and social and ideological change since the Industrial Revolution at that time. Such Femme Fatale fever in the art world in Europe directly had impact on Russia. Checkhov also published a series of fictions on Femme Fatale. His Femme Fatale fictions include「In Autumn (Оceнью)」(1883),「Morass (Tина)」(1886),「Wife (Cупpуга)」(1895),「Ariadna (Apиaднa)」(1895) and「My Life (Moя Жизнь)」(1896). Five fictions above have the same motif, “Femme Fatale.” This study analyzed the common features of heroines with Femme Fatale characteristics in those fictions. 1) All of them are beautiful. 2) They have negative characteristics including exceptional ability for hypocrisy, trickiness, lying, fickleness and seduction. 3) Egoistic life`s attitude ― They think they are always right and are lack of ethics. 4) Absence of love ― They never love men. However, they pretend to love them according to their needs. 5) Incarnation of desire ― They pursue the life faithful to basic instincts including sexual desire, earthly desire, prodigal habits and gluttony. How do the male counterparts of those heroines act in the fictions? All of their counterparts are weak, immature and victim-like characters. Such characteristics are required, because the heroines can easily dominate and use their counterparts to satisfy their desires. Chekhov always tried to be objective and positive on women. He had good understanding on the unfair conditions on women at that time and thought such unfair conditions would be gradually relieved by education. With good understanding on the women, Chekhov didn`t overlook on Femme Fatale characters in various kinds of female characters in the fictions. His five fictions examined in this study will be the literary achievement related to those Femme Fatale characters.
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      Femme Fatale is one of historic images existing from the biblical days and mythological ages in the ancient times. Femme Fatale means the attractive women driving a man toward destruction. Femme Fatale fever was the periodical trend hitting the litera...

      Femme Fatale is one of historic images existing from the biblical days and mythological ages in the ancient times. Femme Fatale means the attractive women driving a man toward destruction. Femme Fatale fever was the periodical trend hitting the literary and art world in Europe in the 19th century. It was the image of women as the dreadful existence as well as attractive one which was generated along with the tide of feminist movement clamoring for freedom and liberation of women and social and ideological change since the Industrial Revolution at that time. Such Femme Fatale fever in the art world in Europe directly had impact on Russia. Checkhov also published a series of fictions on Femme Fatale. His Femme Fatale fictions include「In Autumn (Оceнью)」(1883),「Morass (Tина)」(1886),「Wife (Cупpуга)」(1895),「Ariadna (Apиaднa)」(1895) and「My Life (Moя Жизнь)」(1896). Five fictions above have the same motif, “Femme Fatale.” This study analyzed the common features of heroines with Femme Fatale characteristics in those fictions. 1) All of them are beautiful. 2) They have negative characteristics including exceptional ability for hypocrisy, trickiness, lying, fickleness and seduction. 3) Egoistic life`s attitude ― They think they are always right and are lack of ethics. 4) Absence of love ― They never love men. However, they pretend to love them according to their needs. 5) Incarnation of desire ― They pursue the life faithful to basic instincts including sexual desire, earthly desire, prodigal habits and gluttony. How do the male counterparts of those heroines act in the fictions? All of their counterparts are weak, immature and victim-like characters. Such characteristics are required, because the heroines can easily dominate and use their counterparts to satisfy their desires. Chekhov always tried to be objective and positive on women. He had good understanding on the unfair conditions on women at that time and thought such unfair conditions would be gradually relieved by education. With good understanding on the women, Chekhov didn`t overlook on Femme Fatale characters in various kinds of female characters in the fictions. His five fictions examined in this study will be the literary achievement related to those Femme Fatale characters.

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      참고문헌 (Reference)

      1 허필숙, "포스트모던 사회에서의 문학의 역할" 정림사 2007

      2 이명옥, "팜므 파탈" 시공사 2009

      3 리포베츠키, J, "제 3의 여성" 아고라 2007

      4 조용훈, "에로스와 타나토스" 살림출판사 2005

      5 문석우, "안똔 체홉" 건국대학교 출판부 1995

      6 김원익, "신화, 세상에 답하다" 바다출판사 2009

      7 김종회, "문학비평용어사전(하)" 국학자료원 2006

      8 윤무부, "날아라, 어제보다 조금 더 멀리" 마음의 숲 2007

      9 불핀치, T, "그리스⋅로마 신화" 범우사 1995

      10 Толстая, Е, "《Цензура не пропускает...》: Чехов и Дуня Эфрос" Новое лит. обозрение 221-249, 1994

      1 허필숙, "포스트모던 사회에서의 문학의 역할" 정림사 2007

      2 이명옥, "팜므 파탈" 시공사 2009

      3 리포베츠키, J, "제 3의 여성" 아고라 2007

      4 조용훈, "에로스와 타나토스" 살림출판사 2005

      5 문석우, "안똔 체홉" 건국대학교 출판부 1995

      6 김원익, "신화, 세상에 답하다" 바다출판사 2009

      7 김종회, "문학비평용어사전(하)" 국학자료원 2006

      8 윤무부, "날아라, 어제보다 조금 더 멀리" 마음의 숲 2007

      9 불핀치, T, "그리스⋅로마 신화" 범우사 1995

      10 Толстая, Е, "《Цензура не пропускает...》: Чехов и Дуня Эфрос" Новое лит. обозрение 221-249, 1994

      11 Горелик, Л. Л, "Чеховская пародия на Наташу Ростову, In Русская филология : Ученые записки Вып. 3" Смоленск 86-94, 1997

      12 Айвазова, С, "Русские женщины в лабиринте равноправия"

      13 Лукьянова, Л. В, "Проблема женских характеров в рассказах А.П. Чехова: (В свете дискуссии по ≪женскому вопросу≫)" Автореф. дис. канд. филол. наук 19-, 1996

      14 Чехов, А, "Полное собрание сочинений и писем в тридцати томах. Сочинения том второй 1886" 1984

      15 Чехов, А, "Полное собрание сочинений и писем в тридцати томах. Сочинения том второй 1883-1884" 1983

      16 Хомяков, В. И, "Одна из типологических разновидностей женских образов в произведениях Достоевского, Чехова и Федина (Соня Мармеладова ― Душечка ― Анна Тимофеевна)" Творчество А.П.Чехова 113-119, 1984

      17 Еременко, И, "К вопросу о женском идеале в эстетике А. Чехова" Славянские языки в свете культуры 320-325, 2006

      18 Чехов, А, "Избранные произведения в трех томах" том второй 1967

      19 Яхьяпур, Марзие, "Женский характер в творчестве А.П. Чехова Вып. 17" Голоса молодых ученых 50-54, 2005

      20 Дмитриева, Н, "Женский вопрос: Ариадна, Душечка и другие" Истина и жизнь 24-29, 2004

      21 Лю, Х. -С, "Женские образы в творчестве Чехова с точки зрения гендерной подхода: к постановке вопроса"

      22 Сахаров, В, "Героиня, блудница или покорная раба?: Чехов и ≪женский вопрос≫"

      23 Черницына, Е. В, "Афродита и Психея архетипы женственности в рассказе А.П. Чехова 《Ариадна》 (гендерный аспект), In ун-та = Proceed. of Voronezh state univ. Сер.: Филология. Журналистика" Воронеж 121-124, 2005

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      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.21 0.21 0.21
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.2 0.21 0.377 0.06
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