Tales and translation : the Grimm tales from pan-Germanic narratives to shared international fairytales

목차 (Table of Contents)

• CONTENTS
• Introduction = ⅸ
• Acknowledgement = xii
• Abbreviations and special terms = xii
• Quotations = xiii
• Germany : telling the tales
• The lives of the brothers Grimm = 3
• The historical setting = 5
• The decline of Denmark = 6
• The rise of Germany = 6
• The cultural context = 10
• The Danish connection = 12
• The general interest = 12
• The brothers' specific interest = 13
• Contacts = 15
• Rasmus Nyerup and the Tales in 1812 = 21
• Rasmus Nyerup and the second Edition of the Tales(1819) = 24
• The publication history of the Tales = 25
• Printing the Tales = 25
• Chronological periods = 25
• 'Ideal tales' and 'filters' = 27
• Strata of story-telling traditions = 29
• Sources = 29
• The living oral tradition = 29
• The two oral traditions = 30
• The 'ideal tales' and the recordings = 36
• Telling tales : a discussion = 37
• Texts and geneses of selected tales = 39
• The first specimen : 'The straw, the spark, and the bean' = 40
• The second specimen : 'Hansel and Gretel' = 41
• The third specimen : 'All fur' = 43
• The printed tales and 'ideal tales' = 45
• The editorial changes('filters') in the texts = 47
• Societal and ideological reorientations = 50
• The brothers' assumptions about tales = 51
• Sender orientations = 51
• Audience orientation = 56
• The Small Edition of 1825 : the child audience = 58
• Complete Editions : educated adult readers = 59
• 'Editorial filters' : a discussion = 60
• Cultural and content reorientations = 62
• anish connections and subsequent events = 65
• Tracking Danish translations = 71
• Denmark : reception, impact, and sales of the Tales
• Introduction : the Tales in Danish society and culture = 149
• The universality and scholarly value of the Tales = 149
• Gaining ground = 152
• The realisation of the collection activity = 154
• Danish translations = 157
• In sum = 158
• The respectability of the translators = 159
• The Grimm source texts and Danish translations = 160
• The time lag between German Editions and Danish translations = 163
• The emergence of an audience = 166
• The reorientation in Danish 'Grimm' : a discussion = 171
• Selling the Tales = 173
• Printing establishments = 174
• Copyright = 175
• Prices = 176
• Circulation and 'influence' = 176
• Discussion = 180
• Target groups = 181
• Discussion : publishers and audiences = 185
• Boosting sales = 186
• Discussion : interacting market forces = 195
• Embedding the Tales in Danish
• Defining the Tales in Denmark = 199
• A critique of three specimen translations = 200
• The first specimen : 'The domestic servants' = 201
• The second specimen : 'The old man and his grandson' = 209
• The third specimen : 'Hansel and Gretel' = 220
• Discussion = 234
• Selection : the collective consensus = 236
• 'Popularity' : a discussion = 241
• The German vs the 'Danish' Small Edition = 241
• 'Censorship' = 245
• Conclusion : the Grimm repertory in Danish = 250
• New tellers of tales : internationalisation
• The Tales and illustrations = 255
• The appearance of illustrations = 255
• Illustrators as co-narrators = 257
• Summary = 259
• Internationalisation : multiple tellers = 260
• Co-prints and formatting = 260
• Illustrations as textual constraints = 262
• Co-prints and texts = 263
• Co-prints and their originals : 'relay' in translation = 269
• Illustrations, texts, and co-prints = 274
• Internationalisation : the leaping Tales = 275
• The twentieth century : coprints and the 'leaping' Tales = 275
• The flexible tales = 276
• Internationalisation in the past : the creation of the fairytale = 278
• The selection of tales = 279
• The first leap : from German into Danish = 279
• Rebounding to Germany = 281
• Internationalisation = 283
• Conclusion = 285
• The end of the tale : summary and conclusion
• Preliminary remarks = 289
• The activities of the brothers Grimm = 291
• Reconstructing 'ideal tales' and 'narrative contracts' = 292
• Sifting the repertory = 293
• Adequacy, sifting, and 'loss' = 296
• Defining translation = 298
• The existence of a source text = 300
• The quality of the translation = 301
• Author and translation = 302
• Translators, messages, and choices = 302
• The impact of the audience = 303
• Beyond the pale of 'translation' = 304
• Book types and translational continua = 307
• Original and translation = 310
• The forces behind translation = 313
• The Grimm Canon in international translation = 314
• Societal forces in Denmark = 318
• Grimm in Britain vs Denmark = 320
• Translation of tales and Translation Studies = 322
• Concluding remarks = 324
• Notes = 329
• Works cited = 345
• Appendixes
• Appendix 1 : Jacob Grimm : Circular(1815) = 351
• Appendix 2 : Wilhelm Grimm : 'Introduction'(1819) = 352
• Appendix 3 : KHM-numbers and titles in German, English, and Danish = 362
• Index = 371