의재(毅齋) 허백련(許百鍊)의 ≪금강산도십곡병≫과 남종화전통≪Kumgangsandosipgokbyong≫ by Uijae Huh Baek-ryon and the Namjonghwa Tradition = 《Kumgangsandosipgokbyong》 by Uijae Huh Baek-ryon and the Namjonghwa Tradition

다국어 초록 (Multilingual Abstract)

This study examines the characteristics used in the painting style of ≪Kumgangsandosipgokbyong金剛山圖十曲屛≫, a real landscape painting by Uijae Huh Baek-ryon (許百鍊, 1891~1977), and his tranditional views through his traditional painting style and composition. ≪Kumgangsandosipgokbyong≫ by Huh Baek-ryon was painted based on sketches he drew while travelling to Mt. Kumgangsan in 1921. However, the geological names of Mt. Kumgangsan were not known in ≪Kumgangsandosipgokbyong≫. Therefore, this study guessed the location of the painting through comparison with paintings of Mt. Kumgangsan by Yeomjae Song Tae-hoi (1872~1941) whom Huh Baek-ryon met immediately after he came back from his trip to Mt. Kumgangsan. Also, in consideration that he painted while keeping the changes in the four seasons in mind, he changed the order of Byongpung, a folding screen painting. On each screen of ≪Kumgangsandosipgokbyong≫, a painting theory is written. Most of the theories involve literary painting which appeared repetitively in his other works. Also, Huh Baek-ryon drew Mt. Kumgangsan as he was impressed with the painting by Jeong Sun, but he used his own painting style instead of following Jeong Sun’s painting style. He intended to paint even the significance contained in Mt. Kumgangsan as well as the appearance of the mountain and thought that the Namjonghwa(南宗畵) painting style was suitable for this. The fact that Huh Baek-ryon painted Mt. Kumgangsan with Namjonghwa painting style and did not write the place name is because of his view of a real landscape thinking that every landscape painting is a real landscape painting. Just as he did not write place names although he painted many mountains and rivers in Namdo, he did not feel a necessity to write the name of Mt. Kumgangsan even when he set out to paint the mountain. However, he emphasized the characteristics of Mt. Kumgangsan with lots of rock. Huh Baek-ryon’s painting of Mt. Kumgangsan, who intended to raise a real landscape painting to the status of Sauihwa(寫意畵), has special meaning in the flow of paintings of Mt. Kumgangsan in the 20th century.