제국 이후의 문명화 사명 = 파리 브랑리 미술관의 경우

다국어 초록 (Multilingual Abstract)

The Quai Branly Museum, built in the shadow of the Eiffel Tower, opened to great fanfare in 2006. As the latest case of French presidential ‘grand travaux’, inaugurated during Jacques Chirac’s final months in office, this museum, dedicated to the arts and civilizations of Africa, Asia, Oceania and the Americas, has triggered discussion in a broad interdiciplinary context. After brief contexualization of this discussion, I argue that the Quai Branly Museum could be seen as a cultural institution incarnating the new ‘mission civilisatrice’ of postcolonial age, geared toward symbolical assimilation of the immigrants into ‘one and indivisible’ French national culture.

목차 (Table of Contents)

• 1. 포스트-식민시대의 식민 박물관
• 2. 유물의 심미화와 역사의 삭제
• 3. 박물관의 정치와 이주민의 ‘문명화’
• Abstract

참고문헌 (Reference)

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