5C中~7C初 중층적 종교관에 따른 고대 이상향에 관한 연구 -고구려 고분벽화와 백제 금동대향로를 중심으로- = A Study on the Ancient Ideal Land from the Perspective of Multi-Layered Views on Religion in the Middle of 5C ~ the Early Period of 7C - Focusing on Mural Paintings of Goguryeo and Gilt Bronze Incense Burner of Baekje -

다국어 초록 (Multilingual Abstract)

Both in the east and th west, an ideal has always been the reverse of the harsh reality as a unreal conceptual world. This shall be that they are identical in terms of being ‘the origin of human beings as dreamers’. Hence, both the east and the west shall have the same orientation to utopias in terms of a larger concept of ‘the most perfect place a human being can think of’.
There can be differences in terms of methods of realization and perspectives whether to construct an ideal society or only a natural world of letting nature be as an alternative to the reality as shown in the utopia of Thomas More, Heliaca of Tommaso Campanella, Tao Yuanming’s Taoist Paradise, Muingongdo of Park Ji-won and Yuldoguk of Heo Gyun. Also, this proves the historical continuity and value based on the fact of being repeated and reproduced in various areas of arts such as music, fine art, literature and drama. Today, in Korea, too, we can find utopias as a keyword in the overall cultural industries covering film, animation, literature and popular music.
This study aims to identify what a Korean utopian which is still being reproduced even under the current cultural industry is concretely. This means to identify the root of the Korean utopia in the 21st century as well as its attributes. Hence, this is a question of the headwaters, meaning that it shall necessarily result in traditional thoughts of Koreans on these utopias. Such a deduction is to provide the necessity to an effort to explore traditional thoughts on Korean utopias based on ancient perspectives on the world.
Currently, Korea may find it convenient to explore ancient perspectives on the world through art. Most of the currently available cultural assets tend to be in line with religious contexts as well as the characteristic that they were enacted at their times, which is a point that makes their reasoning and thoughts visible. Hence, in the same context, this study aims to identify the attributes of Korean utopias by exploring the concepts and thoughts of ancient people based on religious perspectives contained in cultural assets in art. The scope of this research will be limited to ‘wall paintings of Goguryo Dynasty’ and the ‘Baekje Geumdong Daehyangro (Gilt Bronze Large Incense Burner)’ which materialize the utopias of their times based on religious backgrounds of Buddhism and Taoism. The methods of this research shall be as follows. First, based on a literature review of each cultural asset, the perspectives on the world dominant in the mid fifth to the early seventh century and how they are materialized will be identified. This will be followed by identification of similarities of the utopias of the Goguryo Dynasty and the Baekje Dynasty through a concrete interpretation of the form materialized in the Gilt Bronze Large Incense Burner of the same era. In conclusion, what is aimed at in this discussion is that Gilt Bronze Large Incense Burners of the Baekje Dynasty as well as wall paintings of the Goguryo Dynasty stands for utopias of their times based on the multiple-layered religious backgrounds of Buddhism and Taoism and that hence, the identification of their similarities shall represent the utopias dominant in the mid fifth to the early seventh century.

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