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      조선 후기 ‘박효랑(朴孝娘) 서사’의 변전 양상과 의미 -임상정(林象鼎), 남유용(南有容), 안석경(安錫儆)의 비교를 통해- = Changes in the narrative of ‘Hyo-Rang Park literature’ during the late Chosun Dynasty -Focusing on the comparison of Sang-Jeong Im, Yu-Yong Nam and Suk-Kyung Ahn-

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      https://www.riss.kr/link?id=A107746593

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      다국어 초록 (Multilingual Abstract)

      While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumor, as its depiction of filial duty involves belligerent ‘unmarried daughters’ that leads to ‘vengeance’. Hence, the works that are based on Park Hyo-Rang affairs show subtly different approaches in integrating narratives and characters by different authors, even though they share the broader frame of the narrative.
      Sang-Jeong Im’s < Park Hyo-Rang Jeon > depicts ‘unjust demise of the father,’ and ‘the revenge of the eldest daughter’ with a plausible narrative. Sang-Jeong Im applauds the eldest daughter as a filial woman and subtly supports the family of Hyo-Rang. In < Hyoja- Parkssi-jeon > written by Yu-Yong Nam, He unfolds various aspects of ‘vengeance’ in the successive chain of events based on the premise of ‘filial duty,’ then add some hints of the chivalry genre, whenever the narrative arrives at critical junctures. The variation of the ‘filial piety’ narrative that You-Yong Nam attempted could be characterized as ‘filial chivalry’.
      < Park Hyo-Rang Jeon > by Suk-Kyung Ahn seems to feature both sisters as the main characters, but it places more emphasis on the younger daughter. Especially, it should be noted that the advent of ‘Seollye,’ the female servant for the family, as well as the ‘epilogue’ at the end of the work.
      Meanwhile, In< Gum-Nyeo >,Hyo-Rang Park the filial daughter only plays a role of the source material, a new ‘chivalrous woman’ is re-created. However, Essentially, the heroine of < Gum-Nyeo > succeeds ‘Hyo-Rang Park.’ It could be seen as Hyo-Rang Park that only retains an interesting ‘story’ without ‘real-life event.’ < Gum-Nyeo > is also another example that we can examine the ways and techniques of ‘Storytelling of Chosun Dynasty.
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      While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumo...

      While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumor, as its depiction of filial duty involves belligerent ‘unmarried daughters’ that leads to ‘vengeance’. Hence, the works that are based on Park Hyo-Rang affairs show subtly different approaches in integrating narratives and characters by different authors, even though they share the broader frame of the narrative.
      Sang-Jeong Im’s < Park Hyo-Rang Jeon > depicts ‘unjust demise of the father,’ and ‘the revenge of the eldest daughter’ with a plausible narrative. Sang-Jeong Im applauds the eldest daughter as a filial woman and subtly supports the family of Hyo-Rang. In < Hyoja- Parkssi-jeon > written by Yu-Yong Nam, He unfolds various aspects of ‘vengeance’ in the successive chain of events based on the premise of ‘filial duty,’ then add some hints of the chivalry genre, whenever the narrative arrives at critical junctures. The variation of the ‘filial piety’ narrative that You-Yong Nam attempted could be characterized as ‘filial chivalry’.
      < Park Hyo-Rang Jeon > by Suk-Kyung Ahn seems to feature both sisters as the main characters, but it places more emphasis on the younger daughter. Especially, it should be noted that the advent of ‘Seollye,’ the female servant for the family, as well as the ‘epilogue’ at the end of the work.
      Meanwhile, In< Gum-Nyeo >,Hyo-Rang Park the filial daughter only plays a role of the source material, a new ‘chivalrous woman’ is re-created. However, Essentially, the heroine of < Gum-Nyeo > succeeds ‘Hyo-Rang Park.’ It could be seen as Hyo-Rang Park that only retains an interesting ‘story’ without ‘real-life event.’ < Gum-Nyeo > is also another example that we can examine the ways and techniques of ‘Storytelling of Chosun Dynasty.

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