While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumo...
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https://www.riss.kr/link?id=A107746593
2021
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박효랑 ; 朴孝娘 ; 효녀 ; 孝女 ; 협녀 ; 俠女 ; 임상정 ; 남유용 ; 안석경 ; Hyo-Rang Park ; filial daughter ; chivalry woman ; Sang-Jeong Im ; Yu-Yong Nam ; Suk-Kyung Ahn
800
KCI등재
학술저널
189-220(32쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumo...
While narrative proses inspired by ‘Hyo-Rang Park incident’ in the late Chosun Dynasty is mostly based on the ideology of ‘filial piety’, they are also notable examples of mixture between a moving and beautiful story but also a groundless rumor, as its depiction of filial duty involves belligerent ‘unmarried daughters’ that leads to ‘vengeance’. Hence, the works that are based on Park Hyo-Rang affairs show subtly different approaches in integrating narratives and characters by different authors, even though they share the broader frame of the narrative.
Sang-Jeong Im’s < Park Hyo-Rang Jeon > depicts ‘unjust demise of the father,’ and ‘the revenge of the eldest daughter’ with a plausible narrative. Sang-Jeong Im applauds the eldest daughter as a filial woman and subtly supports the family of Hyo-Rang. In < Hyoja- Parkssi-jeon > written by Yu-Yong Nam, He unfolds various aspects of ‘vengeance’ in the successive chain of events based on the premise of ‘filial duty,’ then add some hints of the chivalry genre, whenever the narrative arrives at critical junctures. The variation of the ‘filial piety’ narrative that You-Yong Nam attempted could be characterized as ‘filial chivalry’.
< Park Hyo-Rang Jeon > by Suk-Kyung Ahn seems to feature both sisters as the main characters, but it places more emphasis on the younger daughter. Especially, it should be noted that the advent of ‘Seollye,’ the female servant for the family, as well as the ‘epilogue’ at the end of the work.
Meanwhile, In< Gum-Nyeo >,Hyo-Rang Park the filial daughter only plays a role of the source material, a new ‘chivalrous woman’ is re-created. However, Essentially, the heroine of < Gum-Nyeo > succeeds ‘Hyo-Rang Park.’ It could be seen as Hyo-Rang Park that only retains an interesting ‘story’ without ‘real-life event.’ < Gum-Nyeo > is also another example that we can examine the ways and techniques of ‘Storytelling of Chosun Dynasty.
김수영 시의 예술성과 현실성 연구 -변증법적 접합과 두 층위의 알레고리-
김수영 시에 나타난 “전통” 이미지와 방법론 -『주역』을 중심으로-